I bought a guitar shaped gurdy from Chris Allen about 10 years ago.  It was my 
first gurdy and a good, playable  instrument.  He sent it to me almost 
immediately and he was very helpful with all my questions.  It was very 
reasonably priced - exchange rates now have raised the price considerably.  Two 
things to consider,  being a Welsh instrument, the little gurdy really liked 
its humidity.  I kept damp sponges in the case the whole time and it sounded 
best on extremely humid days althought it was playable on all days. I suspect 
since most European climates are more temperate than the US - you will have 
similar issues whomever you buy it from.  Also,  whenever you get an instrument 
shipped from a long distance ,  it will arrive completely misaligned and you 
will need help getting it set up.  By misaligned,  I don't mean damaged, but 
the strings will need to be readjusted - shimmed or maybe moved closer to the 
bridge.  This is hard to do with your first gurdy - but with help, it can be 
done. - Jocelyn

----- Original Message ----- 
  From: [EMAIL PROTECTED] 
  To: [email protected] 
  Sent: Saturday, March 17, 2007 9:39 PM
  Subject: [HG] The Great Gurdy Hunt


  Hello all:

  As I mentioned in my last (I mean previous; don't get your hopes up!) 
message, I've started considering the acquisition of a proper, pro-built HG. 

  Alden is, of course, the prime source for such instruments here in the US; 
but, considering the great demands being put on the shop these days (yes, I 
refer to the waiting list), I thought I would try looking overseas. There seem 
to be a fair number of builders in Europe and the UK, offering HGs at what seem 
to be reasonable prices; as a matter of prudence, I'd like to run some of them 
by the List members, to see what you think. You may have your particular 
preferences......

  * Chris Allen offers a rather nice Colson copy for a little under US$4000: 
I've corresponded a bit with him... Chris has also recommended Mike Gilpin, who 
also does a good-looking Baroque style for around that price, not to mention an 
interesting Bosch style...

  *Neil Brook also has a good variety, including the 'St. Thomas' model for 
less than $3000.....

  *Moving over to the Continent, my first reaction was to check out Helmut 
Gotschy's site. I was rather taken by his 'Renaissance' model; and his Phoenix 
'Da Vinci' seemed rather nice. (I have yet to get a reply on the price range 
for the former).

  *Kurt Reichmann's HGs were also interesting and attractively priced; but 
perhaps the most striking designs were from Helmut Seibert.....

  To tell the truth, I haven't looked much yet at French makers; but I will 
probably remedy that soon.

  Now, is there anyone who could give an experienced opinion on some of these 
builders and their work:  their usual backlogs, waiting lists and such; 
maintenance histories and so on? That, plus the advantages/disadvantages of 
buying instruments from overseas, would go a long way towards helping to 
resolve my mind (I think)..... As for the type of music I'm interested in 
playing, I'd say it is rather eclectic: a mixture of 
Medieval/Renaissance/Baroque/FolkTrad, plus plain old noodling around on the 
instrument to see what I can get away with.....

  I hope to attend  Jocelyn's NE gathering in July; and perhaps there I can get 
some more hands-on experience and personal advice. Till then, I'll continue 
searching, comparing, contrasting and, most inportantly, obsessing......

  -Bill Steinmayer


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