HOPE...sorry 
 
-----Original Message-----
From: [EMAIL PROTECTED]
To: [email protected]
Sent: Sat, 17 Mar 2007 7:39 PM
Subject: [HG] The Great Gurdy Hunt


Hello all:

As I mentioned in my last (I mean previous; don't get your hopes up!) message, 
I've started considering the acquisition of a proper, pro-built HG. 

Alden is, of course, the prime source for such instruments here in the US; but, 
considering the great demands being put on the shop these days (yes, I refer to 
the waiting list), I thought I would try looking overseas. There seem to be a 
fair number of builders in Europe and the UK, offering HGs at what seem to be 
reasonable prices; as a matter of prudence, I'd like to run some of them by the 
List members, to see what you think. You may have your particular 
preferences......

* Chris Allen offers a rather nice Colson copy for a little under US$4000: I've 
corresponded a bit with him... Chris has also recommended Mike Gilpin, who also 
does a good-looking Baroque style for around that price, not to mention an 
interesting Bosch style...

*Neil Brook also has a good variety, including the 'St. Thomas' model for less 
than $3000.....

*Moving over to the Continent, my first reaction was to check out Helmut 
Gotschy's site. I was rather taken by his 'Renaissance' model; and his Phoenix 
'Da Vinci' seemed rather nice. (I have yet to get a reply on the price range 
for the former).

*Kurt Reichmann's HGs were also interesting and attractively priced; but 
perhaps the most striking designs were from Helmut Seibert.....

To tell the truth, I haven't looked much yet at French makers; but I will 
probably remedy that soon.

Now, is there anyone who could give an experienced opinion on some of these 
builders and their work:  their usual backlogs, waiting lists and such; 
maintenance histories and so on? That, plus the advantages/disadvantages of 
buying instruments from overseas, would go a long way towards helping to 
resolve my mind (I think)..... As for the type of music I'm interested in 
playing, I'd say it is rather eclectic: a mixture of 
Medieval/Renaissance/Baroque/FolkTrad, plus plain old noodling around on the 
instrument to see what I can get away with.....

I hope to attend  Jocelyn's NE gathering in July; and perhaps there I can get 
some more hands-on experience and personal advice. Till then, I'll continue 
searching, comparing, contrasting and, most inportantly, obsessing......

-Bill Steinmayer


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