Alina (and hi to everyone else),

  I play tekero too, and I also second everything Arle says. He knows what he's 
talking about.
   
  You're going to get a whole lot of chatter on this list, so don't let it 
overwhelm you. As an example of that sort of distracting chatter, I'll add that 
I usually tune my tekero a step down from the standard tuning Arle mentions. My 
drones are G, and my melody strings D. This is useful when I want to turn off 
my drone strings and play in the key of D instead of G, as I'm often in bands 
that want to play in D. Feel free to ignore this information. Good luck!
   
  Melissa
  www.melissatheloud.com
  
Arle Lommel <[EMAIL PROTECTED]> wrote:
  Hi Alina,

> Are you guys saying that if my instrument has a certain type of 
> string, it shouldn't be tuned in certain ways? I'm a little 
> confused because of all the different advice I'm getting...

What you can tune your instrument to depends on the strings you are 
using. Since you play violin, think of the difference between the 
various strings. They all have the same length, but they are 
different thicknesses, and if you try to tune one of them to the 
pitch of another, you will either break it (if you tune it too high) 
or have it loose and useless (if you tune it too low). The same 
applies to your hurdy-gurdy. If your instrument is strung as an A 
instrument and you tune the drones up to D, you stand a very good 
chance of breaking them.

My advice I sent to you in a personal e-mail was to use E-A-A tuning. 
This is because it is almost certain that the strings you have on 
your instrument were selected with this tuning in mind, unless you 
know otherwise, e.g., if you requested a different tuning or if a 
previous owner set up something else. This tuning is used because 
Hungarian traditional music is played in the nominal key of A (with a 
number of different modes, including natural minor). Since you are a 
beginner, I would recommend using this tuning until you are familiar 
with the instrument and know what you actually want instead. Then you 
can go through the string-selection process and pick what you want.

I would really recommend that you not start out with trying to 
restring the instrument, because (a) string selection is something of 
a black art and successfully mastering that black art requires that 
you have some idea of the outcome you want, and (b) having to deal 
with the vagaries of strings will only add to the initial 
difficulties you will face. So take a few months to get to know your 
instrument and then, when you know it well, start experimenting with 
strings.

In terms of getting started, the fact that your big string is broken 
isn't really a major problem. Learner exercises on the tekerő usually 
start out using the two strings you do have and leave the big drone 
off until you have mastered the other two. You will, however, want 
the bass drone fairly soon. Perhaps the best option (short of having 
Béla send you his recommended string) is to go into a violin repair 
shop with your instrument and the broken string and talk to the 
person who works on instruments there and ask for help in getting an 
equivalent string. (I would go to a specialty shop even though you'll 
pay a little more for the string, because you'll get someone who 
actually understands strings there. If you go into a general music 
store -- the sort that caters to schools and hobbyist guitar players 
-- you're unlikely to get anyone who really knows enough to help you 
find the right string.)

Best,

Arle


 
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