Isn´t there a big difference in the sound color between a metal piccolo and a wooden piccolo ? I remember the wooden piccolo´s sound as quite "smoky" compared with the silver piccolo, and we all liked this very distinct sound (if played well).
Conductor, even Szell, checking the mouthpieces, absurd. These myths ......... It is impossible, that a conductor would check the mouthpieces of the horn section, perhaps, because he played horn himself (long) before. I would say yes, yes, and use "his" mouthpiece in a rehearsal & ruin a solo very badly and then complain "It is your mouthpiece !!" (but required, I did it well many times, using my own mouthpiece). ########################################################################################### Am 24.02.2010 um 22:10 schrieb [email protected]: > > Many years ago, somebody I knew had a relative who was the Piccolo player in > one of the Big 5 US orchestras--maybe Cleveland. If so, it was Szell who told > him he had to switch from his metal piccolo to a wooden one. According to my > friend, he just applied some sort of blacking to his metal piccolo, used it > for years, and Maestro Szell was perfectly happy. > > Emory Waters > > > > > > > -----Original Message----- > From: Robert Dickow <[email protected]> > To: 'The Horn List' <[email protected]> > Sent: Wed, Feb 24, 2010 3:29 pm > Subject: Re: [Hornlist] Is Colour Blind? > > > I've heard that some conductors want the section players to use the same > ake of horn. How many players or principals would insist on this? > ersonally, I think this is a silly, or at least fruitless, tactic. I've > ound that horns within the same model vary considerably. I tried 14 Merkers > efore I bought the one I have now, and each horn was different by a > urprising amount. I've tried a gazillion Conn 8ds, and they are all > istinct to some degree, in tone, playing characteristics, and especially > ntonation. Couple that with the variances between players, and the brand > ame distinctions become irrelevant. JMTCW. > Wendell, remember way back when when you tried various horns on stage in the > an Francisco opera house, and folks listened to the differences? I just > emember that--though there were differences-- you ALWAYS sounded like > endell Rider. > I was also interested to note the claim in this post that nickel silver > orns are brighter in tone than brass horns. I've gone through my whole life > hinking the opposite, and hearing the opposite. I could still be mistaken, > t's just a curious note. > Bob Dickow > ionel Hampton School of Music > ----------------original message excerpt: ------------------ > snip> ...tone, so this can be made more rich by using gold > rass or yellow brass; conversely, large bell throat horns have a richer > one, and so using a nickel-silver alloy will help them project better. > You say that horn sections on TV have horns of the same colour. On > nspection, you will find that many horn sections in fact use the same model > f horn. This is to ensure that the entire section has similar tone > ualities, and blend well to <snip> > _______________________________________________ > ost: [email protected] > nsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/eww02%40aol.com > > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
