Yes, Debbie, the business is on decline for a whole variety of reasons.
I agree fully. Everything has become profane & commercial. Art in the
true sense, where have you gone ?

Faster, higher, louder, crazier, sensational(er), more expensive, top,
bigger etc. anything else than serious.

#############################################################
Am 11.08.2010 um 17:31 schrieb Debbie Schmidt:

> Actually Milton this is not an 802 issue. The ladies and gentlemen of any
> orchestra collectively vote on and agree to a CBA. Same in Buffalo you are
> in the end responsible for your destiny. The tenured members of an orchestra
> vote on the contract not the whole of the union.
> This is obviously a huge issue in town for a variety of reasons.
> I think there is a big incentive to hire full time players stability is one
> of the things that make great orchestras great.
> The business is on the decline for a whole variety of reasons.
> 
> 
> On 8/11/10 11:21 AM, "Milton Kicklighter" <[email protected]> wrote:
> 
>> I am surprised that local 802 would allow this difference in pay.  If you are
>> good enough to be hired for a NY Phil gig, then you should be paid the 
>> minimum
>> wage the same as any full time player in the orchestra.  The orchestra is
>> already saving on the benefits paid for those part time musicians.  And you
>> are 
>> correct that there are many many wonderful players in 802 most of which could
>> fill the positions full time.
>>  
>> So????  what is the incentive to ever fill a position with a full time player
>> when you can just hire part timers and save a bundle???
>>  
>> Another indication  as to where the business is going.
>>  
>> When I joined the Buffalo Phil in 1967 the orchestra was 87 musicians and we
>> had 
>> a 38 week season.  The management staff consisted of five people.  Now the
>> orchestra is 72 members and there is a 36 week season and the staff is around
>> 30 
>> people.  What does that tell you guys and girls????  Is it anymore about the
>> "music."  Conductors, management and guest artist salaries have grown
>> tremendously, while musician salaries have in many cases been going down or 
>> if
>> they are lucky, have barely kept up with inflation.
>>  
>> Just the opinion of a now retired horn picker.
>> 
>>  Milton
>> Milton Kicklighter
>> 4th Horn Buffalo Philharmonic
>> Retired 
>> 
>> 
>> 
>> 
>> ________________________________
>> From: Debbie Schmidt <[email protected]>
>> To: The Horn List <[email protected]>
>> Sent: Wed, August 11, 2010 10:54:01 AM
>> Subject: Re: [Hornlist] fitting in as part of getting a job
>> 
>> Sure subs use to be paid the same as a section fiddle player, or said
>> another way, minimum contractual salary for the Philharmonic.  Now subs
>> (those hired on a week to week basis) get paid based on the CBA for
>> freelance orchestras in NY about 25-30% less per week. Once they hire you
>> for the season (I would need to check if there is a stipulation for long
>> term other then the season) you are paid at the minimum Philharmonic rate.
>> There are a whole set of issues arising around wanting people for the season
>> but unwilling to commit for the season because of the increase in pay.
>> 
>> 
>> 
>> 
>> On 8/11/10 10:45 AM, "Avrum H. Golub, M.D., J.D." <[email protected]>
>> wrote:
>> 
>>> What are the two tiers, Debbie?
>>> Avrum
>>> 
>>>> From: Debbie Schmidt <[email protected]>
>>>> Reply-To: The Horn List <[email protected]>
>>>> Date: Wed, 11 Aug 2010 10:34:51 -0400
>>>> To: The Horn List <[email protected]>
>>>> Subject: Re: [Hornlist] fitting in as part of getting a job
>>>> 
>>>> Dan and it is cheaper since the Philharmonic went to a 2 tier pay system.
>>>> 
>>>> 
>>>> On 8/11/10 10:26 AM, "PatentDan Feigelson" <[email protected]> wrote:
>>>> 
>>>>> Hans, did you see the article last month in the New York Times about the
>>>>> large
>>>>> number of vacancies in the NY Philharmonic (not just in the horn
>>>>> section)?  It
>>>>> could have been written by you.  The article mentioned that it's not a 
>>>>> lack
>>>>> of
>>>>> talented players but more a matter of finding someone who will fit into 
>>>>> the
>>>>> section that has resulted in so many vacancies.  If anything, the number 
>>>>> of
>>>>> talented musicians in New York means the Philharmonic can take its time
>>>>> filling the vacancies, since finding a substitute or extra for any
>>>>> particular
>>>>> series isn't difficult.
>>>>>  
>>>>> DJF
>>> 
>>> 
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>> 
>> 
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>> 
>> 
>> 
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> 
> 
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