This not directly on the point of the Mozart concerti, but does concern
the availability of autographs in possession of private entities.  The
Morgan Library in NYC which has one of the most important autograph
collection in the world, and which makes these materials easily
available to scholars.  Fortunately not all libraries and collectors are
mercenary like the ones Hans warns about.

The message below appeared on the AMS mailing list several weeks ago.
Note the mention of the Mahler 5 autograph.  I checked, and this
particular score is now live online, and may be of interest to members
of this list.  It shows evidence of Mahler's continuing orchestration
revisions.  (And note the curious layout of the Scherzo first page!)

Announcements for the AMS <[email protected]> wrote:

   The Morgan Library & Museum has made digital versions of more than
   forty celebrated music manuscripts from its extraordinary permanent
   collection available on its Web site for the first time. Music
   Manuscripts Online, at www.themorgan.org/music, will include such
   important works as Beethoven's Violin and Piano Sonata, op. 96; Chopin's
   Polonaise, op. 53; Debussy's En sourdine; Haydn's Symphony No. 91;
   Mahler's Symphony No. 5; Mendelssohn's Calm Sea and Prosperous Voyage;
   Mozart's Piano Concerto, K 537; and Schubert's Impromptus D 935. 
   
   Eventually as many as nine hundred manuscripts containing more than
   42,000 pages will be added to the Morgan’s Web site. The Morgan’s
   collection of music manuscripts is considered one of the best in the
   world, and is consulted by scholars, performers, conductors, and
   collectors. Until recently, access was largely provided by appointment
   through the Morgan’s Reading Room, although the recent restoration of
   the Morgan’s McKim building will permit the rotating display of a
   selection of highlights from the collection on an ongoing basis. The
   collection is also made available to the public through a wide array of
   public exhibitions, lectures, concerts, and other programs.
   Nevertheless, the fragility of many of the Morgan’s music manuscripts
   necessarily limits the amount of access that can be provided. The new
   online presentation allows images of the original music to be made
   available to the public from any location, at any hour. 
   
   Users will be able to zoom in on each image, allowing them to see the
   manuscripts in greater detail than possible with the naked eye.
   Navigation within a manuscript is facilitated by a detailed contents
   list that allows users to move freely from page to page in or out of
   sequence. There is also a feature that permits side-by-side comparisons
   of two pages within a manuscript. And for reference, images and
   accompanying citations can be printed. 
   
   
   The Music Manuscripts Online project has been made possible by a
   generous gift from an anonymous donor.
   
   Additional support has been provided by The Gladys Krieble Delmas
   Foundation. 
   
   www.themorgan.org/music
   
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