Stop this right now!  A well reasoned, polite discussion on the Internet must 
violate some law of nature, if not man. 

On Feb 11, 2011, at 4:40 AM, Hans Pizka <[email protected]> wrote:

> Yes, William, perfectly expressed but polite also.
> It is a pity, that such subject too often require, that
> they are the gods in their field, but lacking the most
> simple concepts, as you said. We can do nothing
> against & why should we. They will bump their nose
> very hard - sooner or later.
> 
> By the way, it is a pleasure, that we both found a way 
> to agree in principles as our views of the things are not 
> that different at all.
> 
> #################################################
> Am 11.02.2011 um 12:28 schrieb [email protected]:
> 
>> Point taken. Everyone has different aptitudes. It isn't often politically  
>> correct to say so, but there are some people I've met who seem to never  
>> understand simple concepts of music, or mathematics, or even language. It  
>> doesn't mean that they are dumb, just that those subjects are just not what 
>> they 
>> are good in.
>> 
>> -William
>> 
>> 
>> In a message dated 2/11/2011 6:26:17 A.M. Eastern Standard Time,  
>> [email protected] writes:
>> 
>> Hello  William,
>> 
>> I agree with what you have said, but oppose one  thing:
>> 
>> if there is no talent even the hardest work will not produce  more
>> than a technical very good executor.
>> 
>> Very good ear cannot be  acquired, it must be there.
>> Rhythmical feeling can be cultivated but must  be there before.
>> Anatomically good facts must exist, but must be cultivated  too.
>> 
>> A good perception of colors, also the colors of the sound must  exist, 
>> just needing perfection. If this distinction does not exist,  it
>> cannot be built up by no means. You cannot teach a color-blind
>> to  distinct mini changes in colors or color relations. 
>> (Be relativated: it is  possible within certain limitations.)
>> 
>> Otherwise, your statement is  correct. 
>> There are no secrets with musicianship.
>> Recognizing high  quality comes from experience & being
>> exposed to high  quality.
>> 
>> But this is valid not only for the arts, but should be valid  for
>> all ways of  life.
>> 
>> ####################################################
>> Am  11.02.2011 um 12:10 schrieb [email protected]:
>> 
>>> I agree with Hans on  this. Musicianship is not some ethereal, magical 
>> thing 
>>> that is  mysterious. It's something pretty definite, and something that 
>> can 
>>> be  taught and learned. 
>>> 
>>> The biggest thing I don't like  to hear regarding musicianship is the 
>> idea  
>>> that it somehow  can't be taught. It sort of goes back to a general 
>>> epistemology   - can you figure something out, or are you going to stand 
>> back and say  
>>> "gee I  don't know", or worse yet, invent an answer that isn't  even true 
>>> just so you  stop looking?
>>> 
>>> If we  stopped at the ether theory of matter, or astrology, we would have 
>> 
>>> never figured out how things really worked. Thankfully we  didn't.
>>> 
>>> With enough hard work, you might very well be the  next Radovan or ver  
>>> Meulen. Then again, you might not - but it  won't happen with a lot of 
>> dedication 
>>> and a lot of knowledge from  those who know how to do it. I liken it to 
>>> running a  marathon.  You may never be the fastest marathon runner in the 
>> world. 
>>> But,   history is rife with people that trained properly of all shapes 
>> and 
>>> sizes and  who ended up running many marathons under three hours. (But,  
>>> nobody is going to  fault you for not being the next Dennis  Brain or 
>> Paula 
>>> Radcliffe if it doesn't  make you happy.)
>>> 
>>> -William
>>> 
>>> 
>>> In a message dated 2/11/2011  5:35:33 A.M. Eastern Standard Time,  
>>> [email protected]  writes:
>>> 
>>> Musicianship requires a lot:
>>> 
>>> very  good ear, perhaps acquired  perfect pitch, perhaps
>>> superb  rhythmic sense
>>> very good objective  taste
>>> 
>>> plus:  listen, listen, listen
>>> plus: store the listened musical  pieces  well, so to find the data for 
>>> reproduction purpose
>>> plus:  musical  understanding, acquired by reading scores & hear they  
>>> realized to  sound
>>> the same time, but no musical  instrument touched & no record  player of 
>> any 
>>> type turned  on.
>>> 
>>> plus: understanding the arts in general,  developing  a sense of 
>> symmetry, 
>>> progression 
>>> & tension &  relax;  understanding colors & setting them into relation to 
>> 
>>> acoustical
>>> sensations (sounds).
>>> 
>>> plus:  performance technique,  performance routine, performance  
>> discipline
>>> 
>>> plus: comprehensive  knowledge about the  music writing (composing) 
>> system, 
>>> harmonic 
>>> system,   bigger phrasing to the mini phrasing.
>>> 
>>> plus: being exposed to  music from  the very early years of life
>>> 
>>> A very good  teach has all this & is  able to transfer it to the students 
>> &  
>>> motivate them
>>> to follow his or  her example, using their  brain &  phantasy.
>>> 
>>> #####################################################################
>>> Am  11.02.2011 um 10:25 schrieb Lawrence Yates:
>>> 
>>>> I'm  not sure you can  teach musicianship but you can, to a point, teach 
>> a
>>>> damn good  imitation.  I had a colleague who taught  some very unmusical 
>>> kids
>>>> to produce what sounded like  very musical performances - they couldn't  
>>> feel
>>>> anything, but they could follow instructions to the letter.    Whether 
>> that
>>>> ever turned into what I think we are calling   musicianship, I don't 
>> know.
>>>> 
>>>> Cheers,
>>>> 
>>>> Lawrence
>>>> 
>>>> On 11 February 2011 09:14,  Ralph Hall  <[email protected]> wrote:
>>>> 
>>>>> 
>>>>> Ralph R. Hall
>>>>> [email protected]
>>>>> Ralph R.  Hall
>>>>> http://www.brasshausmusic.com
>>>>> 
>>>>> I have   just written two articles attempting to answer the question:
>>>>> 'Can  you teach musicianship'?
>>>>> 
>>>> --  
>>>> Lawrenceyates.co.uk
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