There are some iron rules to respect the personal rights. These rights
do not allow to record ones playing in a public performance (at the
school, it is also a public performance) without the permission of the
player.

A radio transmission of a public concerts, - on the contrary -, means
that all players or the orchestra as an organism have agreed beforehand.

I thought, that these rights would be respected special in the USA, as
many people are so strict regarding being lawful. But it seems as if I
will have to revise my assumption.

Anyway, it is absolutely unfair taking pity on ones "accidents", no
matter to whom these accidents might happen.

We know some of these fellow in the orchestras. But be assured, they
will not be happy in their orchestra, and be also sure, that they will
not be called for extra jobs, etc., no matter how good these players are
playing.

But, anyway, these "strange" & "unwelcome" fellows are not the best
players themselves. Mostly those laugh most at others, who are full of
their own problems & complexes. But they laugh hysterical, if good or
famous players make an even little mistake.

Let them play Oberon Ouverture (1st: a1 - b1 - c#2)) or Fidelio
Ouverture (b1-f#1-f#1 --- b1-f#1-1#1 --
c#2-e2-d#2-c#2-b1-d#2-f#2-c#2-e2-d#2-c#2-b1-f#1-b-f#-B) or No.2 from
Flying Dutchman (f#-f# -  c1). But ask for the beginning again, and once
more, and once again for security. They will not appear at the next
rehearsal at 100 percent sure.
======================================================    

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Mark Louttit
Sent: Sunday, October 26, 2003 1:12 PM
To: The Horn List
Subject: Re: [Hornlist] Faculty Entertainment (ahem)

" why would someone put out a recital if they couldn't really play
the stuff? " W.

Why was this individual allowed to perform the recital in the first
place
assuming, which is a very dangerous word, that this was done in an
academic
environment ? Maybe someone (the professor in question ?) should have
sat
down this person and been honest and said
something to the effect that maybe doing the recital wasn't the right
thing
to do at that time.

" I laugh at my own mistakes there and some of  the errors I committed
because I choose to grow and become a better player. I  won't let it
hold me
back, either, and even if a recording of that (it wasn't  recorded) was
passed around, well that's just more of a chance to impress with
something
much better." W.

Well, there is a big difference between laughing at oneself and becoming
the
butt of a cruel joke at the expense of others. How would you feel if
your
recital had been recorded and passed around at an IHS Symposium ? Here
there
would be your peers, plus world class horn players, and teachers all
listening to something that you might want to bury. A thing that can
follow
one around for many years, no matter how one may vindicate oneself in
the
future. Think not ? Well, we are still talking about Barry Tuckwell's
missed
high C in a performance of Villanelle some thirty years later.  Jamie
Sommerville,principal horn of the Boston Symphony, once was quoted in
Boston
Globe as saying that if one plays the horn, one should have a sense of
humor. I think we agree, and the ability to laugh at oneself is
essential
for survival, but no one likes being the butt of a cruel joke.

"That is why we also must have a sense of humor about some things and
not
take
 offense at everything...In fact I will agree, it is unethical" W.

I agree that to survive in this world we need to have a sense of humor,
but
call me old fashioned, but I still take offense at unethical behavior.
Today, more than ever, it is my impression that we seem to enjoy the
misfortune of others under the guise of humor.

"There is no changing  the past, but even with bad things that might
happen
to you if you don't sit  back and laugh or at least not let it get to
you,
you'll just stew in them
 forever." W.

Yeah, I agree there too, but do you think that if the person who played
the
recital found out about the tape being played for humor at his expense,
that
he did that ?

I agree that we all have to be resilient and be able to bounce back. If
we
are knocked down, then we have to get up off the floor and keep going.
The
playwright Samuel Beckett once said something to the effect that if we
try
and fail, we try again and next time we fail better.  William, I am glad
that you view this action as being unethical on the part of the
professor,
and that you can readily laugh off the stings and hurts of living, but I
suspect your reaction might be a tad different if you had been the
injured
party in question.

caveat lector

Mark L.










----- Original Message ----- 
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, October 25, 2003 11:14 PM
Subject: Re: [Hornlist] Faculty Entertainment (ahem)


> Well to be honest the professor was a butthole, and some of us were
glad
to
> see him retire. But you know even I laugh at some of the things I've
done
in my
> practicing and my performances because I have a sense of humor about
it.
>
> Granted what he did with the tape wasn't ethical, but well even some
of
the
> bad things you have to look on the brighter side of life. Of course
now, I
> would never perform a bad recital or even one where I wasn't prepared
enough to
> play everything as well as I could. Also, in all honesty look at the
other
side
> of the coin - why would someone put out a recital if they couldn't
really
play
> the stuff? I mean the time comes when you have to cut your losses or
play
> something simpler. Why walk out on stage playing something you know
you
cannot
> play?
>
> The first recital I did was almost a joke I will admit, but I was
young
then,
> and very immature as a player.>
> Also, if you become really good and record some great things, that
will
> preclude any previous reputation. I guarantee you if you were awful a
few
years
> ago, and are extremely good and have some outstanding recordings of
yourself
> people will take notice. Thankfully people change, and most people
accept
change.
>
> >
> No offense was intended there. I'm not endorsing what that now retired
> professor did. However these things happen in
> life. If you were offended, just think of it this way - there is a
silver
> lining to every cloud, and always another side of the coin.

>
> -William
>
> In a message dated 10/25/2003 8:55:59 PM Pacific Daylight Time,
> [EMAIL PROTECTED] writes:
>
> > Subj: Re: [Hornlist] Faculty Entertainment (Great Story)
*correction*
> >  Date: 10/25/2003 8:55:59 PM Pacific Daylight Time
> >  From: <A
HREF="mailto:[EMAIL PROTECTED]">[EMAIL PROTECTED]</A>
> >  Reply-to: <A
HREF="mailto:[EMAIL PROTECTED]">[EMAIL PROTECTED]</A>
> >  To: <A
HREF="mailto:[EMAIL PROTECTED]">[EMAIL PROTECTED]</A>
> >  Sent from the Internet
> >
> >
> >
> > Gotta tell ya, it seems like very cruel humor. If the person who did
the
> > recital was that particular professor's student, that says very
little
about
> > his professionalism as an educator or effectiveness as a teacher. To
make
> > fun of someone like that just doesn't strike me as cool. How would
you
feel
> > if you had a bad performance and it became a joke tape to pass
around ?
> >
> > Music biz is hard and cruel enough without making someone the
laughingstock
> > of a trumpet symposium. No matter what steps were taken to guarantee
> > anonymity, there is always someone there who knows who the person
is. In
all
> > probability I'm sure it got back to the person who performed on the
tape.
> > These things usually do.
> >
> > I find this thread both sad and disappointing. My two euros.
> >
> > Mark L.
> >
> > _______________________________________________
> > post: [EMAIL PROTECTED]
> > set your options at
> > http://music.memphis.edu/mailman/options/horn/valkhorn%40aol.com
> >
>
> _______________________________________________
> post: [EMAIL PROTECTED]
> set your options at
http://music.memphis.edu/mailman/options/horn/mloutti056%40net1plus.com
>

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