You are correct. Some people have higher standards. After seeing some 
of John's recent work, I understand how he can get $35k for a single 
print. I still get goose bumps thinking about some of his prints. 
This is also why I started using a 4x5 camera for both B&W and 
Digital Color. A 4x5 negative on my scanner @ 300 dpi is like a 65 
mgpixel digital capture. A 16x20 print from a 4x5 negative is the 
same degree of enlargement as a 4x6 drug store print from a 35mm 
frame. 

My hasselblad B&W prints received praise from John in 2004. But the 
4x5 prints are in a different class as to tonality and detail. I've 
been printing on nothing but Ilford MG glossy FB for the last 20 
years when Peterson's Photo tested all B&W papers and selected Ilford 
MG vi glossy as the best fine art paper. So I know that material 
pretty well.

I miss Kodak Technical Pan film!!!!

I don't mean to start another digital vs. Silver debate.





--- In [email protected], Bob Wise <[EMAIL PROTECTED]> wrote:
>
> 
> My B&W prints have when shown to ordinary people generated 
comments  
> like "wow that's amazing. Really? That's an inkjet? Really?
> Can I have a a print?"
> 
> Setting the bar for your own art or product to a very high level 
is  
> of course up to you. Most people who
> might buy a print probably don't care.
> 
> -bw
> 
> On Jul 31, 2007, at 3:16 PM, Gene Crumpler wrote:
> 
> > Hay guys;
> >
> > I have recently taken both B&W workshops(2002 and 2004) with John
> > Sexton in Carmel, CA
> >
> > I don't even try to do B&W digitally. Both John Sexton and I 
agree  
> > that
> > we have not yet seen a digital B&W print that fully matches a well
> > excuted Silver print. I've been looking, but have not seen any. I 
can
> > spot a silver vs a digital B&W print from across the room.
> >
> > The problem is that not many photogs have had the experience of 
seeing
> > the work done by Sexton and other silver printers.
> >
> > This why I print in the darkroom.
> >
> > FWIW
> >
> >
> >
> >
>




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