Yeah, there's basically two problems with color ink for BW. The ink color
does depend on the light source, just as it does in full color, so you
pretty much have to target your client on this. The other is that because
you are using color inks, you can't get a completely neutral gray tone. But
most black and white photo papers also have some kind of tone bias as well:
slightly warm white, or high quantities of fluorescing chemicals to make the
whites brilliantly cool. Likewise the blacks always have some color in them,
whether the greens of Kodak's Polycontrast and Polymax, or the blues of
Oriental. Then toning for permanence adds yet another opportunity for color
shift, whether you choose gold or selenium as your toning chemistry.

So I don't worry about a totally neutral gray, but rather shoot for the
"black and white" that looks right to me. I've always been a "cold tone" fan
myself.:)



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