On Thu, 9 Feb 2012 11:39:35 -0800 (PST), kfj wrote:
> On 9 Feb., 15:44, Robert Krawitz <[email protected]> wrote:
>
>> In regards focal length of source image: this would have been very
>> useful to me when preparing this 
>> image:http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT#!i=450968307&k...
>> (read the writeup)
>
> This sounds very familiar to me. I have developed a few tricks to deal
> with multi-lens panoramas. The first thing you need is lots, and I
> mean lots of good control points. That's why I wrote the woa plugin,
> which warps the images, looks for CPs and then unwarps their
> coordinates. This usually gives me such an even spread and good
> quality of CPs, even between images from different lenses, that the
> optimizer produces very good results. The next plugin which I find
> very useful is the crop-cp plugin, which looks at the crop area of the
> panorama (as set in the preview) and throws out all CPs either inside
> or outside it. This allows me to throw out all CPs which aren't really
> crucial for the match (forground, for example - let the stitcher deal
> with it best it can). Once I've lots of CPs in useful places left, I
> optimize for 'everything but translation' and also do a photometric
> optimization. Then I can proceed to stitch each set of images
> separately, and I have to do the final composition in another tool, as
> well. Lots of work, but, for example in mountaintop 360 degree
> panoramas, the extra crispness around the horizon can be worth it.

I'll have to try this next time I do one of those.  This isn't really my
panorama season now.  Extra sharpness in more important areas was
exactly my reason for the one above.

> BTW - a panorama head is a good thing - if most of my photography
> wasn't done somewhere in the mountains I'd sure carry on all the time,
> and they aren't even dear. I've built my own which was fun and it does
> the trick, but out in the wild I rely on a walking stick and a
> technique I've evolved over time which works well enough for natural
> subjects.

For the things I shoot panos of, I'm not sure how much it would really
help.  In a typical situation with grass or the like in the foreground,
with a lot of high frequency texture but no low frequency, it doesn't
matter even if things are way off, as long as the background is good.
One of my panos (from a low mountain top, with our dog in the lower left
foreground) it really would have helped (I wound up having to do a fair
bit of manual work to fix up a big crack in the rock).

> Having tools like enfuse deal with a situation like the one you
> describe would be very welcome, hence my proposal. Especially the
> layering is annoying for me, because in cinepaint I usually get
> annoyed very quickly by how awkward everything is (maybe I've just not
> done it enough...), the gimp only does 8 bits, digiKam just isn't
> quite there yet and I can't accustom myself to fotoxx either... but at
> least on Linux I was able write the plugin interface and the plugins I
> need most.

Fotoxx looks like it's really just for simple things.  It has an
interesting approach to panorama stitching, but it's a lot less flexible
than Hugin, and by now I've done enough panos to establish a good
workflow in Hugin.  Your crop control points plugin is fantastic, and
the last few panos I did it saved me a lot of time.  Combining enfuse
and enblend (enmeld?) would solve my last big problem with extended
dynamic range panoramas.  This is an example (look at the sky near the
horizon):
http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT#!i=1079376498&k=Gyg2x

GIMP really needs to stop messing around with single window mode and the
like, and get its act together with high bit depth.
-- 
Robert Krawitz                                     <[email protected]>

Tall Clubs International  --  http://www.tall.org/ or 1-888-IM-TALL-2
Member of the League for Programming Freedom  --  http://ProgFree.org
Project lead for Gutenprint   --    http://gimp-print.sourceforge.net

"Linux doesn't dictate how I work, I dictate how Linux works."
--Eric Crampton

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