On Friday, March 21, 2014 1:34:08 AM UTC+1, [email protected] wrote:
>
> Hi, 
>
> the recent discussion about exposure compensation reminded me that I 
> have related problem. 
>
> I have a panorama from 10 images taken with fixed exposure, EV 12. 
> A small part of the panorama is overexposed, so I added one extra 
> correctly exposed image with EV 14 that covers the overexposed area. 
>
> Now, when I process it as "Exposure fused from any arrangement", then 
> there are no burned out areas, but the extra image is still recognizable 
> as a darker rectangle, which does not look good.


I think in your situation you don't want exposure fusion. Try this:

- use an include mask on the EV 14 image covering the overexposed area plus 
some space around it
- do an LDR photometric optimization of your whole image set
- stitch as ordinary pano (with exposure correction, LDR)

This has the effect of forcing out the overexposed bit from the result, but 
the photometric optimization will have corrected the EV14 image to blend 
well with the other images. The 'space around' is to give the blender room 
to manouvre and produce an invisible transition. You could use an exclude 
mask on the overexposed image instead, but this may get you unwanted 
(underexposed) parts from the EV14 image into the stitch. You may have to 
shift the output EV closer to the EV14 image to get a good result; rather 
stitch too dark and pull up the dark areas later with the gradation curve 
when you do the retouching or do a 'false exposure fusion' from a brighter 
and a darker stitch. Consider working in 16bit TIFF.

Kay


>
> With "Exposure corrected" it does not consider overexposures at all 
> and part of the overexposed area are just grey in the result. 
>
> What is the recommended workflow for this situation? 
>
> Thanks, 
> Vladimir 
>
>

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