Simplicity works for me. In my arrangement of Heart's Ease, I just play the melody without singing, then drone and play a very simple rhythm to accompany my singing: http://www.melissatheloud.com/sound/08-heart.mp3 with instrumental interludes as a break from the singing. The words are interesting, so I don't want to distract from them.
For my version of Tomorrow the Fox, I play the melody and rhythm at the same time as I sing: http://www.melissatheloud.com/sound/07-fox.mp3 The rhythm I'm playing is a little busier than the one I'm singing. This is in the "walking and chewing gum" category already, even though I'm playing the same melody. I figured that for this song, the words are less interesting, so a busier accompaniment is justified. I have no idea if this is how the Elizabethans arranged these songs. Jim, you ask what to do about "the chords" as if all songs were naturally accompanied by chords. This is a modern and western musical concept. Quite a lot of traditional music from all over the world, not to mention early Western music, does not use chords. While it might be possible to impose chords on a lot of traditional and early music, that doesn't mean that chordal accompaniment is the best choice. WIth hg in particular, the chords a guitarist or someone would choose might very well be incompatible with your drones, which would sound bad. Even if some sheet music has "the chords" written out, you are free to ignore them. Drones are a fine accompaniment all by themselves if the tune, rhythm, and words are interesting. Melissa the Loud http://www.melissatheloud.com http://cdbaby.com/cd/kacalanos --- Jim Petersen <[EMAIL PROTECTED]> wrote: > dear hudy gurdy google group peoplz.... > > i am curious considering vocals with the HG... > when i played with my former partner when he sang a > song > i would accompany with counter melody of some sort. > > now that i am doing solo work that isnt so > easy... what do you people that sing with your > gurdy find to be the most effective way to accompany > your self? > sing and play the same melody line? > sing the melody line and play a counter melody? > these top two are the ones that i think i would find > tough doing. > you know walking the and chewing gum syndrome... > > would you arpegiate the chords? which depending on > the song could be just as rough as far as timing > goes...or would you just play the root of the chord > and let the drones add the harmony with maybe a few > grace notes? > seeing as you dont have the ability of say a fiddle > doing double stops (1st and 5th) > > or is there something completely different that i > havent thought about? > > i am pretty much talking about no other > accompanyment guitar or anything... > > my posts might make more sense if i didnt wait till > bedtime to write them. > > peace > > > Grey Aengus (aka Jim) > http://www.greyaengus.com > > often in error, never in doubt --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "hurdygurdy" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [EMAIL PROTECTED] For more options, visit this group at http://groups.google.com/group/hurdygurdy?hl=en?hl=en Although the method of distribution has changed, the rules of courtesy and appropriateness of postings remain the same as on the old list on Majordomo. These rules may be found at http://hurdygurdy.com/mailinglist/index.htm. Just ignore anything about Majordomo. -~----------~----~----~----~------~----~------~--~---
