But isn't that the beauty of many instruments - they can be played in just so 
many ways and cater for the likes of so many?
I'm far from a purist/traditionalist or any other label  but, by the same 
token, I have personal likes and dislikes in music and that far outweighs my 
love of an actual instrument.
I'm happy to see our instrument played in any style possible and beyond.
It's like comparing Segovia to Jimi Hendrix - both played guitar but a slight 
difference in their styles!
I'd be selective about which CDs I buy though :) 
Colin Hill


----- 
  From: Ulrich Joosten 
  To: [email protected] 
  Sent: Thursday, February 05, 2009 7:31 AM
  Subject: AW: [HG-new] Re: Valentin's music


  Hello folks,

   

  well – Valentin’s music is not everybody’s cup of tea for sure. And it was 
not either the day he showed up at St.-Chartier two and a half decades ago, 
playing his music and changing the hurdy-gurdy ever since. Not really 
co-incidence (even if he asserts it is) that later on he called a CD “Heresia”: 
When he started to revolutionize either playing techniques developing new ways 
of playing far beyond the pure traditional techniques as well as instruments by 
challenging luthiers to adapt their instruments for his then unique playing 
style, many traditionalists called him a Judas and / or heretic. But no one can 
deny that he has had an impact on the modern hurdy-gurdy like no other. Without 
him, probably a small couple of hard core gurdyists would still sit gathering 
in Central France playing “Bourrée carrée de St.-Chartier” and no one would 
give a damn. In his first years Valentin split up the gurdy players in two 
fractions: the ones who screamed “traitor” and the others who adapted a famous 
citation and said “Clastrier is god”. Neither of these extreme positions is 
true, but without any doubt he is and was the most influential hurdy-gurdy 
player who made the difference – without him the instrument would still not be 
accepted as a fully-fledged instrument but be smiled at by professional 
classical instrumentalists, as a necessary evil to stage Leopold Mozart’s 
“Bauernhochzeit”.

   

  I can understand that Valentins music is not for anybody’s taste and this is 
very okay – since you can’t argue on taste. For me also much of his music does 
not really touch my heart, especially in case Valentin plays jazz music 
together with Michael Riessler and Carlo Rizzo. These recordings are deeply 
impressing qua virtuosity of three individuals together on highest level. But 
me personally, I can’t stand this music any longer than 5 minutes. Yes, it 
impresses my brain, but not my heart. Nevertheless, there are CDs by Valentin 
that are worth listening, to name his first recordings on “La vielle à roue de 
l'imaginaire”. And if one day you get the chance to see Valentin life on stage 
– please do yourself a favour, put aside your objections and go for it. This 
may change your perspective sustainable. Seeing him solo life on stage – THAT 
is the moment when he touches me deeply. Valentin does not only use the 
hurdy-gurdy as a percussion instrument by simultaneously playing and tapping it 
– at the same time he also uses a kind of big wooden stomp box with a mike 
inside for percussive effects played with his feet. One has to see this before 
believing it … Any time I see and hear him playing I get inspired wishing that 
I could do just a little of what he can do and it highly motivates me to 
rehearse.

   

  Even if one does not like Valentin’s music I would highly recommend his new 
book “La vielle & l'univers de l'infinie roue-archet“. The DVD included 
showcases his coup-de-poignet techniques and your eyes may pop out seeing what 
is possible. All his various coups are illustrated with a kind of 
wheel-position-mandalas and also you can see them animated on the DVD. 
Unfortunately, it is in French only, but if you can read French a little or if 
you have somebody at hand who could translate, than the book would probably 
help to improve your playing. 

   

  Sincerely yours,

  Ulrich

        

   


------------------------------------------------------------------------------

  Von: [email protected] [mailto:[email protected]] Im 
Auftrag von Jim Petersen
  Gesendet: Mittwoch, 4. Februar 2009 21:04
  An: [email protected]
  Betreff: [HG-new] Re: Valentin's music

   

         I find it interesting how taste varies from individual to individual.  
How do we arrive at these different tastes, what stimulus while we were growing 
up formed these variances?  Although I do not doubt the man's talent for a 
minute the "perfect"  word I can use to describe what I heard, especially at 
his site is "cacophony".

        I do not know if it is my simplistic approach to life or my lack of 
music theory but I think  "if you are going to play music make sure it has a 
point, it makes it more interesting for the listener."

        This is not meant as a dig to the performer or meant to be harsh, I 
just do not 
        understand it.

        Discussion anyone? 

        Peace

        Grey Aengus (aka Jim)

        http://www.greyaengus.com

         

        often in error, never in doubt



        --- On Fri, 1/30/09, ungava <[email protected]> wrote:

        From: ungava <[email protected]>
        Subject: [HG-new] Valentin's music
        To: "hurdygurdy" <[email protected]>
        Date: Friday, January 30, 2009, 8:03 PM

I found an interesting site a youtube with Valentin Clastrier.
Valentin's web site in French with sound samples!
http://www.valentinclastrier.com/content/index.php
Valentin plays and briefly speaks (in French.)
Just to mention: his music always defies perfect words, but very
complex and exciting.
A thrill. Kind of rock slightly. Some jazz improv., which he clearly
has used devotedly with the
  
 hurdy gurdy on his own DCs. It seems to be
in D, the drone is hard to hear, but model, like melodicly centered
around A or the dominant tone, suggesting A minor almost but with Eb
in a D major that gives this an eastern feeling. The "Barana Trio,"
but it is more than 3 performers in this film. Behsat Uves drums,
Steven Kamperman soprano sax, Bart Lelivelt accordion... with guests
Valentin Clastrier/hurdygurdy, and Carlo Rizzo on the tambourine.
Live, April, 2007.
http://www.youtube.com/watch?v=yib4QGNYja8&eurl=
refernce-the trio's site:
http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=147140116
  
  
       
  
    
  
  
  
  
   

   


  


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