There's much in this discussion that I've found interesting, at least in 
part because I too am an early music veteran, and abandoned it as a way 
to make a living over 30 years ago because I was so tired of fighting 
the battles.  I understand Bruno's viewpoint and there was a time when I 
might have said much the same thing, but one reason that I never do is 
the consideration that I wasn't actually there in the middle ages and 
the renaissance.  I can make guesses about how it might have sounded and 
others can too, but we can never really know, so there are pretty sharp 
limits to the judgments we can make. Many careers have been made and 
lost in battles over this unprovable question.  Other list members have 
spoken very well indeed about suiting the performance to the venue and 
about the distinction between a musical ideal and "musica practica;"  at 
a Shakespeare festival where I used to play there was this one couple 
who came every year from several states away apparently for the express 
purpose of sniping at us for using plastic reeds in our Krummhorns.  
When your job is to play several shows per day in variable weather 
conditions on a large number of instruments, something of a bargain has 
to be made between authenticity and practicality.

What I've found truly encouraging, though, is that there's a clear 
consensus in favor of civility.  What Bruno said was really quite gentle 
by internet standards, and the response to it has been even more so, 
while making the collective shock perfectly clear.  No hint of a flame 
war.  Nice.

    - Marty

-- 
Martin Lodahl of Auburn, California
UNIX Pro, Musician, Motorcyclist

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