Ditto, Bruno, as to 30 years in the biz and all that you say about  
"medieval feast, banquet scene, medieval wedding scene" -- plus  renfests -- 
and 
playing multiple instruments (viola da gamba, h-g, vielle,  crummhorns, 
recorders, harps, cornamuse, and rumble pot) -- yes, it's a tough  gig, but I'm 
still having fun at it, and sometimes I hit a bad note, and maybe  I'm not 
100% authentic all the time. But I have seen three or four groups along  the 
way that were so authentic that they put me to sleep around verse 23. By the  
way, tried to see your website, but it seems to be down at the moment. 
Cheers,
Alice
_www.hobgoblinhill.com_ (http://www.hobgoblinhill.com)   

 
In a message dated 12/9/2009 6:54:46 P.M. Central Standard Time,  
[email protected] writes:

Maybe a bit harsh, but as a musician specializing in early music for the  
past 30 years, and the last 10 in medieval music, I find it pathetic that we  
are still finding groups ridiculing this music and making buffoons out of  
themselves.  Incidentally I do not pretend to play shawm or bombard well,  
but I play it better than this guy.  And yes it does take a lot of  breath, 
but if you can't hack it, don't play it. The problem with all  those medieval 
feasts, is that the public doesn't care about the music ,  the context or 
even if its remotely authentic.....they just want to have  background noise 
and have a good laugh.  
 
I've done the medieval feast, banquet scene, medieval wedding  scene, etc,  
 and I'm tired of it.  
 
Bruno
_www.estavel.org_ (http://www.estavel.org/) 
 


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