Wow, I should have reread this. Sorry for the poor spelling and missing letters.


-----Original Message-----
From: [email protected]
To: [email protected]
Sent: Sat, Sep 25, 2010 1:59 pm
Subject: Re: [HG-new] harp sharping levers as trompette drapeaus


They are weights that pinch onto the string and capo the string by vutue of 
position. It hangs freely on the string and should not touch anything. I am not 
sure if you can get these specific capos an more but I assume (maybe I'm wrong) 
that there are similar capos out there. 
 
It turns out they were made by Dick Dunn (who is no long with us) and may have 
gotten the idea from Chris Eaton. I am not sure if they are still available. If 
anyone can contact Chris about them he may be able to enlighten us about his 
part, if any, in their design.
 
They are a bit of a pain to get on and they reduce the overall string length by 
a bit, but once on, they work great and can be placed in any number of 
postions. Basically it is a sliding capo.
 
Scott 






-----Original Message-----
From: Leonard Williams <[email protected]>
To: Hurdy-Gurdy List <[email protected]>
Sent: Sat, Sep 25, 2010 12:24 pm
Subject: Re: [HG-new] harp sharping levers as trompette drapeaus


Scott--
        This capo looks pretty simple, but I can’t tell from the picture just 
how it works.  Does it clamp directly onto the string, to damp the frequency 
(by virtue of its mass) depending on its position?  Or does it (while clamped 
on) rest against something in order to stop the string at a given point?  Where 
can these be obtained, or how made? 

Thanks!
Leonard Williams
           _
         [: :]
        / |  | \
       |  |  |  |
       (_==_)
           !~¿



On 9/24/10 6:31 PM, "[email protected]" <[email protected]> wrote:


there are different clip on capos (clothes pin can be a capo if need be) but 
the capo on the Hubbard is a sliding capo that you put on the string when you 
install it. and it looks like this:




-----Original Message-----
From: Augusto de Ornellas Abreu <[email protected]>
To: [email protected]
Sent: Fri, Sep 24, 2010 2:27 pm
Subject: Re: [HG-new] harp sharping levers as trompette drapeaus

of the clip-on capo / sliding capo you mentioned

On Fri, Sep 24, 2010 at 5:50 PM, <[email protected]> wrote:

Of the capo or the harp lever?



-----Original Message-----
From: Augusto de Ornellas Abreu <[email protected]>
To: [email protected]
Sent: Fri, Sep 24, 2010 1:31 pm
Subject: Re: [HG-new] harp sharping levers as trompette drapeaus

does anyone have a picture?

On Fri, Sep 24, 2010 at 5:24 PM, <[email protected]> wrote:

Mitch,
 
Have you thought of just using a clip on capo or a sliding capo like Michael 
Hubbard used to make (I think it was him). RT has one on the Hubbard luteback 
and it seems to work great. You will have to mark the string so you know where 
to put it the second time but it is an easy fix. No body additions needed.
 
Scott



-----Original Message-----
From: [email protected]
To: [email protected]
Sent: Fri, Sep 24, 2010 9:16 am
Subject: Re: [HG-new] harp sharping levers as trompette drapeaus

My question here is whether it's better to have the sharping lever press the 
trompette down towards the soundboard, or in towards the keybox. The former 
would displace the string along the wheel surface, the latter would press it 
down tighter against the wheel. Or does this matter?
 
Mitch
 
[email protected] writes:

On my instrument, the trompette string is about 1-1/2" from the side of the 
keybox. So that would be a pretty thick spacing block, wouldn't it? I suppose 
another option would be to mount a smaller block on the soundboard with 
vertical screws, then mount the sharping lever assembly on the side of that. 
 




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