Geoff

during a workshop with Dominique Forges during a festival in Quebec roughly
two months ago, he strongly advised against unison tuning in G/C, saying
that the correct way was to use octave Gs as well, similarly to what people
do with D/G gurdies.

He was quite adamant about that, saying that tuning in unison Gs, even with
the same string, by the same maker, etc, would always lead to imperfect
tuning and a poor sound altogether.

I do have octave Gs on my gurdy and it sounds beautiful, as some friends
here may attest from meeting my gurdy in person...

Augusto

On Wed, Nov 2, 2011 at 4:56 AM, Geoff Turner <[email protected]> wrote:

>  Steve,
>
> Not sure where you get the idea of slightly de-tuning the chanters to get
> a vibrato effect. All the hurdy-gurdy players I know spend time tuning the
> tangents so that there is no vibrato. \Although the hurdy-gurdy has a
> reputation of being played slightly out of tune, this should not be your
> ideal. 2 chanters is mostly for volume, and to get an octave effect on the
> D/G tuning. Multiple drones are for changing octave or playing in a
> different key.
>
> One of the most important aspects of making the keys is in making the two
> rows of tangents contact the string at precisely the same moment. This can
> be achieved by trimming wooden tangents, or making the fully adjustable
> metal ones.
>
> Most players would think that 'fully-functional' means following the
> French norm of 2 chanterelles, octave tuned for a D/G tuning or unison
> tuned for a G/C, with a petit bourdon, gros bourdon, mouche and trompette,
> and therefore 6 strings.
>
> Geoff
>
> ------------------------------
> Date: Tue, 1 Nov 2011 16:55:15 -0700
>
> Subject: Re: [HG-new] Proposal on Hurdy Gurdy Construction topic
> From: [email protected]
> To: [email protected]
>
>
> Excellent, that seems to answer several questions.  I surmise the extra
> chanter strings, aside from tuning the tangents slightly off each other to
> get a "chorus" or vibrato effect, also serves to increase the volume of the
> melody strings in relation to the drones?
>
> That would seem to suggest that our hypothetical model should have two
> drones, and two chanters for the most flexibility, but that will add some
> complexity to the build as the tangents will have to be carefully adjusted
> laterally to apply equal pressure on both strings.
>
> -S
>
> On Tue, Nov 1, 2011 at 2:51 PM, <[email protected]> wrote:
>
> ** As it happens, Steven, the Hackman's "minstrel" model is three
> stringed; one chanter, a trompette and one drone. Mine doesn't have a lot
> of volume compared to other gurdies, but the trompette and chanter are more
> than enough for it to sound like a gurdy.
> ------------------------------
> *
> *
>
>
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