As much as I agree with Ulrich's concerns regarding quality (a quick search
of youtube proves his point), I think that helping amateurs recognize and
make better instruments can only help the situation.  I have no problem with
the discussion being here, and it would be a shame to lose the expertise
that so many on the list can provide.  If it is the consensus of the list
that the topic be moved, that is another matter, of course.

--Norm

 

From: [email protected] [mailto:[email protected]] On
Behalf Of Ulrich Joosten
Sent: Wednesday, November 02, 2011 11:43 PM
To: [email protected]
Subject: Re: [HG-new] Specifications for proposed 'builder gurdy' - part 1,
start with one important dimension

 

Dear list,

 

didn't someone propose tho discuss this topic on a special luthier list ?

 

For me this discussion is quite non-interesting. sorry, I do not want to
offend anybody. I have my opinion on hurry-gurdies built by amateurs. I did
built one some 30 years ago, starting from a building kit which was quite
expensive: about 800 German marks at that time. I survived the building
somehow. But this instrument sounded horrible, it was extremely hard to
handle, very unstable in tuning, too much string pressure, too much this and
too less that. In the past 35 years a lot of qualified instrument makers
worked hard to develop modern instruments that really SOUND like a "real
instrument" - in fact they worked hard to make this instrument no longer
suffering from it's bad image since the Praetorius days. I hate the idea of
some enthusiastic amateurs proudly presenting their newly tinkered gurdy
with a horrible sound. Audiences may get a total wrong impression of what
the instrument today is able to sound and play. Pardon my, but my opinion!

 

I agree to most of the arguments spread (if it is possible or not and how it
could be done) and I do not want to be the dog in the manger, but please
keep this topic off this list here.

 

Best regards,

Ulrich

 

Von: Kazimierz Verkmastare <[email protected]>
Antworten an: <[email protected]>
Datum: Wed, 2 Nov 2011 20:44:34 -0500
An: <[email protected]>
Betreff: [HG-new] Specifications for proposed 'builder gurdy' - part 1,
start with one important dimension

 

I kind of like the idea of developing the plans for such a creature around
the best practices as agreed upon by those who know, specifically keeping in
mind the limitations of most beginner luthier's shop setup.  Designing for
the beginning builder without being condescending, if that is possible.  If
we are to truly gain the kind of understanding of the instrument that makes
it really worthwhile to build it, then understanding the design issues is
important, and there is no better way to gain this than actually designing
one.

 

Besides, a functional plan set can allow those with more experience and
resources to do things like changing the body shape and style, changing the
head type, changing some aspects of the keybox, while staying faithful to
the important dimensions, sizes and angles.

 

So if there are some interested in pursuing this flight of fancy, I suggest
that we first decide on a scale length.  In my early research, while I was
looking to design my sinphone, I was trying to make things easy on myself by
settling on a good 'normal' string length so that I could obtain strings
relatively easily.  After getting a dozen answers, the most common I
received was 345 mm.

 

I am not suggesting we use that particular number, but I think we need to
set one important dimension in order to start designing the rest.  Any other
suggestions or comments, from builders or players, on what luck they have
had finding strings for certain scale length instruments, and if anyone has
experience with multiple instruments with different scale lengths, what
seems to be the most conducive to playing different styles of music?

 

Just trying to keep up the momentum up.

 

Chris

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