Thanks for your help, Augusto.

I am learning from you guys as I go. I am going to keep my ears open
with this group, listen and learn. I will be building the beginning
gurdy this group uses for the build thread, too. I saw Graeme's Jiri
and just loved the look of it - he made a beautiful instrument. I will
only be playing it at home, to scare my dogs (just kidding, but I know
I will be making scary sounds for quite a while!). I don't know enough
yet which set-up will be best so I appreciate your thoughts.

I know 'fools rush in where angels fear to tread' so I hope to build a
simpler set-up gurdy too.  Tim

On Nov 2, 3:18 pm, Augusto de Ornellas Abreu
<[email protected]> wrote:
> I myself tend to think that too many strings only muffle and dull the
> overall sound of the instrument. Instruments with that many strings usually
> sound great through a pickup system, but have a weaker sound acoustically.
> It's a question of sharing the load with too many strings...
>
> Some makers I've talked to - notably Daniel Thonon and others - shared that
> impression...
>
>
>
> On Wed, Nov 2, 2011 at 8:15 PM, timw <[email protected]> wrote:
> > Hi Roy,
>
> > Thanks for the help!
>
> > I'm building Graeme McCormack's Jiri, not the symphonia. But I will
> > listen to your voice of experience, glady. I  am pretty ignorant about
> > hurdy gurdies still. The Jiri is two octave chromatic (360mm scale),
> > with four chanters, three trompette and three base drones. I can't
> > remember which strings are which without checking with my notes yet.
> > It also has sympathetic strings. The wheel is about 7 1/2", I think.
>
> > Thanks for the tip about the delrin, too. I have a lot to learn, Tim
>
> > I'll need to read the archives, I don't know of the other RT yet.
> > Take care
>
> > On Nov 2, 8:42 am, Roy Trotter <[email protected]> wrote:
> > > Sorry, I'm  AN RT.... not THE RT..... different guy. Although I'm
> > > flattered, I can't the credit (all that awesomeness &c, &c, &c) ......
> > > That's one reason I don't use many initials.
>
> > > But ... I need to point out (voice of experience) that you will probably
> > > not be satisfied with a symphonia. You really do want/need a 5 or 6
> > string
> > > Vielle. Also, generally you probably don't want a small wheel -- much
> > less
> > > than  5 inches (Reminder: I am now handicapped and it could take all day
> > to
> > > type these little "bullets". Explaining "why" Is a bit beyond my
> > > capabilities. Feel free to discuss, tho.)
> > > And then, you really don't want an authentic, historical instrument; The
> > > wheel would wobble. I'm not sure about the time frame: Alden would know,
> > > the real RT might. The good techniques and materials didn't happen until
> > > the 1960's? for wheels anyway. So you really don't want a "historically
> > > accurate" gurdy as a first project. You got enough on yer plate as it is.
> > > Maybe someday you can do an all wood and bone (oh, yeah... + gut)
> > > instrument, but for now you'll be happier with delrin and cold-rolled
> > > steel. .... Take my word for it....
>
> > > Not the Real RT, (the unreal one?)
> > > Roy T.
>
> > > On Wed, Nov 2, 2011 at 8:42 AM, timw <[email protected]> wrote:
> > > > Thank you, Norm!
>
> > > > I appreciate every little clue and roadmap I can get on this 'journey,
> > > > or as RT said, 'gurdymania'. I will check it out. Another book I have
> > > > found that is helpful is:
>
> > > > Historical Lute Construction, Robert Lundberg
> > > > Guild of American Luthiers
> > > > ISBN-13 978-o-9626447-4-0
> > > > ISBN-10-0-9626447-4-9
>
> > > > This book is pricey, and is on building lutes, rather than gurdies,but
> > > > should help building the body. Would I recommend buying it for gurdie
> > > > making? I am undecided, maybe someone else here would offer their
> > > > opinion. If it is available at a public library, rather than buying
> > > > it, yes.
>
> > > > I'm betting Norm's recommendation, even in German, would be more
> > > > helpful.    Thanks, Norm.           Tim
>
> > > > On Nov 1, 9:21 pm, Norm Sohl <[email protected]> wrote:
> > > > > On another tangent, Tim mentions building the Jiri from scratch, and
> > I
> > > > > wanted to suggest that he (and any amateur thinking about a luteback)
> > > > > consider ordering a copy of the Germanisches Nationalmuseum's Lasnier
> > > > > luteback plan, MIN52.
> > > >http://forschung.gnm.de/ressourcen/musikinstrumente/service/gnm_tz_ro..
> > ..
> > > > > pdf has more information and ordering info. Personally, I found it 27
> > > > euros
> > > > > well spent.  It requires a little work to muddle through the German
> > if
> > > > you
> > > > > don't already speak the language, but not that difficult, and the
> > rewards
> > > > > are worth it, at least in my opinion.  That way you would invest your
> > > > time
> > > > > building forms and tools for a more traditional looking instrument.
> >  Of
> > > > > course, if you have fallen in love with the Jiri, I say just go for
> > it!
> > > > > --Norm
>
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