Hello All
I agree with Ulrich about restricting the gurdy building topic to a dedicated 
luthier / builder / DIY list.
As it happens I find some of the stuff interesting, even though I have no 
intention of making a gurdy; however, it is a topic that makes for very, very, 
VERY long posts. Quite frankly I do not have the time to read them all, even 
the act of deleting them takes up a lot of time that could be spent actually 
playing my instruments, which were incidently made by French luthiers who 
dedicated their whole lives to perfecting their craft without the aid of the 
internet.
Sorry to sound like a grumpy-old-gurdyman but good luck with your gurdy 
building anyway.

Philip G Martin aka Drohne

--- On Thu, 3/11/11, Ulrich Joosten <[email protected]> wrote:


From: Ulrich Joosten <[email protected]>
Subject: Re: [HG-new] Specifications for proposed 'builder gurdy' - part 1, 
start with one important dimension
To: [email protected]
Date: Thursday, 3 November, 2011, 6:42




Dear list,


didn't someone propose tho discuss this topic on a special luthier list ?


For me this discussion is quite non-interesting. sorry, I do not want to offend 
anybody. I have my opinion on hurry-gurdies built by amateurs. I did built one 
some 30 years ago, starting from a building kit which was quite expensive: 
about 800 German marks at that time. I survived the building somehow. But this 
instrument sounded horrible, it was extremely hard to handle, very unstable in 
tuning, too much string pressure, too much this and too less that. In the past 
35 years a lot of qualified instrument makers worked hard to develop modern 
instruments that really SOUND like a "real instrument" - in fact they worked 
hard to make this instrument no longer suffering from it's bad image since the 
Praetorius days. I hate the idea of some enthusiastic amateurs proudly 
presenting their newly tinkered gurdy with a horrible sound… Audiences may get 
a total wrong impression of what the instrument today is able to sound and 
play. Pardon my, but my opinion!


I agree to most of the arguments spread (if it is possible or not and how it 
could be done) and I do not want to be the dog in the manger, but please keep 
this topic off this list here.


Best regards,
Ulrich


Von: Kazimierz Verkmastare <[email protected]>
Antworten an: <[email protected]>
Datum: Wed, 2 Nov 2011 20:44:34 -0500
An: <[email protected]>
Betreff: [HG-new] Specifications for proposed 'builder gurdy' - part 1, start 
with one important dimension







I kind of like the idea of developing the plans for such a creature around the 
best practices as agreed upon by those who know, specifically keeping in mind 
the limitations of most beginner luthier's shop setup.  Designing for the 
beginning builder without being condescending, if that is possible.  If we are 
to truly gain the kind of understanding of the instrument that makes it really 
worthwhile to build it, then understanding the design issues is important, and 
there is no better way to gain this than actually designing one.
 
Besides, a functional plan set can allow those with more experience and 
resources to do things like changing the body shape and style, changing the 
head type, changing some aspects of the keybox, while staying faithful to the 
important dimensions, sizes and angles.
 
So if there are some interested in pursuing this flight of fancy, I suggest 
that we first decide on a scale length.  In my early research, while I was 
looking to design my sinphone, I was trying to make things easy on myself by 
settling on a good 'normal' string length so that I could obtain strings 
relatively easily.  After getting a dozen answers, the most common I received 
was 345 mm.
 
I am not suggesting we use that particular number, but I think we need to set 
one important dimension in order to start designing the rest.  Any other 
suggestions or comments, from builders or players, on what luck they have had 
finding strings for certain scale length instruments, and if anyone has 
experience with multiple instruments with different scale lengths, what seems 
to be the most conducive to playing different styles of music?
 
Just trying to keep up the momentum up.
 
Chris
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