Then what is the trick for getting a good (non screeching) sound on the upper octave (above the high c on a g/c instrument, those last pesky tiny keys)? Any cottoning tricks?
On Fri, Nov 25, 2011 at 8:50 AM, Ulrich Joosten <[email protected]>wrote: > > >>>I personally think that correct cottoning and string pressure are the > two most importnat factors here. > > well said, Geoff! > > My personal opinion/taste: less string pressure, well rosined (I prefer > liquid rosin) and the cotton as thin as possible. Not always easy to > realize. > > For me the the hight-adjustable bridge for melody strings is really an > easing unit. > > Regards, > Ulrich > > -- > You received this message because you are subscribed to the Google > Groups "hurdygurdy" group. > To post to this group, send email to [email protected] > To unsubscribe from this group, send email to > [email protected] > For more options, visit this group at > http://groups.google.com/group/hurdygurdy > > The rules of posting, courtesy, and other list information may be found at > http://hurdygurdy.com/mailinglist/index.htm. To reduce spam, posts from > new subscribers are held pending approval by the webmaster. > -- You received this message because you are subscribed to the Google Groups "hurdygurdy" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [email protected] For more options, visit this group at http://groups.google.com/group/hurdygurdy The rules of posting, courtesy, and other list information may be found at http://hurdygurdy.com/mailinglist/index.htm. To reduce spam, posts from new subscribers are held pending approval by the webmaster.
