Hi Tom and Felicia,  I've heard of Skype but don't know anything about it.
Will investigate and maybe is something possible to try.  Thank you.

On Thu, Dec 22, 2011 at 9:46 AM, Tom LOzano <[email protected]> wrote:

> Hi Jake,
>
> Another solution if you like is to skype each other and go one thing at
> the time to set you up with your gurdy.
>
> Let me know if that is a possibility,
>
> Best,
>
> Tom Lozano.
>
>
> On Wed, Dec 21, 2011 at 11:31 PM, Felicia Dale <[email protected]
> > wrote:
>
>> Jake, I saw in one of your posts that you live in New Jersey. I'm going
>> to be out on the eastern seaboard for most of next year so I imagine there
>> should be some sort of opportunity for us to meet, if you'd like to do so.
>> You can contact me at this email address or just watch our website to see
>> where we are:
>>
>> www.pintndale.com
>>
>> Then you can avoid us more easily, too. :)
>>
>> I hope you don't give up on that wonderful sounding gurdy. If you do,
>> please let me know right away. I'd be interested in taking a look at it for
>> myself and may know of others who need a high-end gurdy with electronics.
>> Of course, knowing this list a dozen other folks have already emailed you
>> privately with the same message! :D
>>
>> Personally, I think you were right to go for a better quality instrument
>> right from the beginning. If I could have afforded it myself I would have
>> done the same. Luckily, my Volksgurdy has done what I needed it to do and
>> only recently has been not quite enough instrument for me. I still love it,
>> though, that's for sure.
>>
>> Felicia.
>>
>>  On Dec 20, 2011, at 6:42 PM, Jake Conte wrote:
>>
>>  Hi Elisabeth and Kevin,
>>
>> By "high maintenance" I mean the whole cotton issue.  Do I put to much
>> cotton, loo little cotton?  Tweaking the tangents.  One player once told me
>> not to worry about whether I put too much or too little cotton.  Eventually
>> I should know how much to put on.   Another roadblock was that I had asked
>> to have it set up in D/G as I play primarily Celtic music and figured D/G
>> would be better suited for that.
>>
>> And, not to dwell on Bruno's comments, but I just wanted to add that this
>> was going to be my one and only hurdy gurdy purchase and I wanted to get it
>> with all the 'bells and whistles' and I wouldn't be able to afford a second
>> gurdy.  Now, I'm thinking maybe I should have bought a more basic model
>> instead.  They did make a "Symphonie" model which was a lot less expensive.
>>
>> Thank you all for your inspiration.  I will definitely make a go of it
>> and, hopefully, will not be putting it up for sale next year.
>>
>> Jake
>>
>>
>>
>>  On Tue, Dec 20, 2011 at 2:20 PM, Kevin Hughes <[email protected]>wrote:
>>
>>>   Hello Jake,
>>>
>>> I'm curious as to what problems you are encountering in learning to
>>> play.  You used the phrase high maintenance in two of your emails.  Could
>>> you be more specific as what these issues are?
>>>
>>> I was once asked to look an Orca from Olympic Instruments.  A friend had
>>> borrowed it from another friend(who been give it as a gift but never played
>>> it) and thought that the bridge needed to be lowered(or the string notches
>>> made deeper) and wanted me to look at it and see what I thought.  It turned
>>> out that he was trying to tune the open chanterelle to D and so the string
>>> was not making good contact with the wheel.  I looked at the paperwork that
>>> came with the instrument, found the chanterelle should be tuned to G, tuned
>>> it, cottoned the string, did a bit of shimming, and the instrument
>>> played. (This was a couple of years ago and I still haven't seen the friend
>>> play it.)  But it seemed like the instrument was close to  being good to go
>>> when shipped.
>>>
>>> When starting out the cottoning and related shimming is the first hurdle
>>> to overcome.  Neil Brook has a youtube video that is helpful for
>>> this.  Next is getting used to turning the crank and playing notes.  The
>>> Muskett book is good for this as are Neil Brook's DVD tutorials.  Aftre
>>> that work in trompette technique.  Scott Gayman has a great series of
>>> youtube videos on this.  And as with any instrument consistent practice
>>> yields best results.
>>>
>>> You will of course have to replace the cotton from time to time.  A
>>> tangent or two may shift and need to be realigned.  There could be other
>>> issues that arise, however once the instrument is set up it doesn't seem to
>>> me to need constant tweaking.  Other folks may have other experiences.
>>>
>>>  I wish you well in your endeavors.
>>>
>>> Kevin
>>>
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>>
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