Hi Felicia, thank you for your help.  I agree that getting a better
instrument to grow into is better than outgrowing one.  I knew that this
would probably be my only hurdy gurdy purchase that's why I wanted to get
all the options available.  I went with the 3-pickup amplification system
because I figured I wanted the option of playing acoustically with our duo
and electrically with a full band.  I went with geared tuners because I
know the problem in trying to tune with friction pegs.  I probably could
have gone without the sympathetic strings or built-in tuner but, by that
point, I had almost all the sha-bang :-)

With Skype, do I need to download a program or subscribe to a service?
I'll check into it.

Let me know when you're in the New Jersey area.

Jake

On Fri, Dec 23, 2011 at 11:25 PM, Felicia Dale
<[email protected]>wrote:

> Hm. Well, I'm going to be based in the DC area but traveling up and down
> and all around quite a bit over the next year starting in the spring. I bet
> we'll be within striking distance of each other at some point or another. I
> also really like the idea of Skype. I can get William (my husband) to aim a
> camera directly at what I'm doing re: cottoning and as for tuning we could
> work that out by talking and listening.
>
> I'm not bothered by the c/g v d/g tuning. I can either transpose or play
> harmonies to whatever you're playing.
>
> And if you do put your gurdy up for sale, let me know, okay? It sounds
> like a lovely instrument.
>
> Felicia.
>
>  On Dec 22, 2011, at 8:20 PM, Jake Conte wrote:
>
>  Felicia, I'm in East Brunswick in central New Jersey.  I know there are
> some gurdy players in New England, but that would be a 3-6 hour drive by
> car.
>
>
>
> On Wed, Dec 21, 2011 at 11:16 PM, Felicia Dale <[email protected]
> > wrote:
>
>> Jake, where are you located? Perhaps someone with a bit more experience
>> could swing a meeting with you and help you out with the cotton and rosin
>> issues. I would be glad to give it a try if we're within striking distance
>> of each other.
>>
>> Felicia.
>>
>>
>>  On Dec 20, 2011, at 6:42 PM, Jake Conte wrote:
>>
>>  Hi Elisabeth and Kevin,
>>
>> By "high maintenance" I mean the whole cotton issue.  Do I put to much
>> cotton, loo little cotton?  Tweaking the tangents.  One player once told me
>> not to worry about whether I put too much or too little cotton.  Eventually
>> I should know how much to put on.   Another roadblock was that I had asked
>> to have it set up in D/G as I play primarily Celtic music and figured D/G
>> would be better suited for that.
>>
>> And, not to dwell on Bruno's comments, but I just wanted to add that this
>> was going to be my one and only hurdy gurdy purchase and I wanted to get it
>> with all the 'bells and whistles' and I wouldn't be able to afford a second
>> gurdy.  Now, I'm thinking maybe I should have bought a more basic model
>> instead.  They did make a "Symphonie" model which was a lot less expensive.
>>
>> Thank you all for your inspiration.  I will definitely make a go of it
>> and, hopefully, will not be putting it up for sale next year.
>>
>> Jake
>>
>>
>>
>> On Tue, Dec 20, 2011 at 2:20 PM, Kevin Hughes <[email protected]>wrote:
>>
>>>  Hello Jake,
>>>
>>> I'm curious as to what problems you are encountering in learning to
>>> play.  You used the phrase high maintenance in two of your emails.  Could
>>> you be more specific as what these issues are?
>>>
>>> I was once asked to look an Orca from Olympic Instruments.  A friend had
>>> borrowed it from another friend(who been give it as a gift but never played
>>> it) and thought that the bridge needed to be lowered(or the string notches
>>> made deeper) and wanted me to look at it and see what I thought.  It turned
>>> out that he was trying to tune the open chanterelle to D and so the string
>>> was not making good contact with the wheel.  I looked at the paperwork that
>>> came with the instrument, found the chanterelle should be tuned to G, tuned
>>> it, cottoned the string, did a bit of shimming, and the instrument
>>> played. (This was a couple of years ago and I still haven't seen the friend
>>> play it.)  But it seemed like the instrument was close to  being good to go
>>> when shipped.
>>>
>>> When starting out the cottoning and related shimming is the first hurdle
>>> to overcome.  Neil Brook has a youtube video that is helpful for
>>> this.  Next is getting used to turning the crank and playing notes.  The
>>> Muskett book is good for this as are Neil Brook's DVD tutorials.  Aftre
>>> that work in trompette technique.  Scott Gayman has a great series of
>>> youtube videos on this.  And as with any instrument consistent practice
>>> yields best results.
>>>
>>> You will of course have to replace the cotton from time to time.  A
>>> tangent or two may shift and need to be realigned.  There could be other
>>> issues that arise, however once the instrument is set up it doesn't seem to
>>> me to need constant tweaking.  Other folks may have other experiences.
>>>
>>>  I wish you well in your endeavors.
>>>
>>> Kevin
>>>
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