Felicia, that was kinda my thinking.  That there would be players here that
may be interested in my gurdy should I decide to sell it.  But, I want to
make the effort to learn to play it as it has sentimental value to me and I
also had to wait almost three years for it to be built.

And, since it would probably be the only gurdy I would ever own, I wanted
to have it with all the bells and whistles.  I also wanted it to be played
acoustically as well as amplified.  I was very pleased with the woods used
and the Hackmanns were very good at explaining the different types of woods
and aesthetic qualities of each.

I will check your web site and see when you're in this area so we can meet
up.



On Wed, Dec 21, 2011 at 11:31 PM, Felicia Dale
<[email protected]>wrote:

>
> I hope you don't give up on that wonderful sounding gurdy. If you do,
> please let me know right away. I'd be interested in taking a look at it for
> myself and may know of others who need a high-end gurdy with electronics.
> Of course, knowing this list a dozen other folks have already emailed you
> privately with the same message! :D
>
> Personally, I think you were right to go for a better quality instrument
> right from the beginning. If I could have afforded it myself I would have
> done the same. Luckily, my Volksgurdy has done what I needed it to do and
> only recently has been not quite enough instrument for me. I still love it,
> though, that's for sure.
>
> Felicia.
>
>  On Dec 20, 2011, at 6:42 PM, Jake Conte wrote:
>
>   Hi Elisabeth and Kevin,
>
> By "high maintenance" I mean the whole cotton issue.  Do I put to much
> cotton, loo little cotton?  Tweaking the tangents.  One player once told me
> not to worry about whether I put too much or too little cotton.  Eventually
> I should know how much to put on.   Another roadblock was that I had asked
> to have it set up in D/G as I play primarily Celtic music and figured D/G
> would be better suited for that.
>
> And, not to dwell on Bruno's comments, but I just wanted to add that this
> was going to be my one and only hurdy gurdy purchase and I wanted to get it
> with all the 'bells and whistles' and I wouldn't be able to afford a second
> gurdy.  Now, I'm thinking maybe I should have bought a more basic model
> instead.  They did make a "Symphonie" model which was a lot less expensive.
>
> Thank you all for your inspiration.  I will definitely make a go of it
> and, hopefully, will not be putting it up for sale next year.
>
> Jake
>
>
>
> On Tue, Dec 20, 2011 at 2:20 PM, Kevin Hughes <[email protected]>wrote:
>
>>  Hello Jake,
>>
>> I'm curious as to what problems you are encountering in learning to
>> play.  You used the phrase high maintenance in two of your emails.  Could
>> you be more specific as what these issues are?
>>
>> I was once asked to look an Orca from Olympic Instruments.  A friend had
>> borrowed it from another friend(who been give it as a gift but never played
>> it) and thought that the bridge needed to be lowered(or the string notches
>> made deeper) and wanted me to look at it and see what I thought.  It turned
>> out that he was trying to tune the open chanterelle to D and so the string
>> was not making good contact with the wheel.  I looked at the paperwork that
>> came with the instrument, found the chanterelle should be tuned to G, tuned
>> it, cottoned the string, did a bit of shimming, and the instrument
>> played. (This was a couple of years ago and I still haven't seen the friend
>> play it.)  But it seemed like the instrument was close to  being good to go
>> when shipped.
>>
>> When starting out the cottoning and related shimming is the first hurdle
>> to overcome.  Neil Brook has a youtube video that is helpful for
>> this.  Next is getting used to turning the crank and playing notes.  The
>> Muskett book is good for this as are Neil Brook's DVD tutorials.  Aftre
>> that work in trompette technique.  Scott Gayman has a great series of
>> youtube videos on this.  And as with any instrument consistent practice
>> yields best results.
>>
>> You will of course have to replace the cotton from time to time.  A
>> tangent or two may shift and need to be realigned.  There could be other
>> issues that arise, however once the instrument is set up it doesn't seem to
>> me to need constant tweaking.  Other folks may have other experiences.
>>
>>  I wish you well in your endeavors.
>>
>> Kevin
>>
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