Sounds like someone was at Bloomington's first Midwest HG convention! :^)
How was it, Judith?
I've looked on fondly from far away, thanks to Tom Lozano's kind FYI's.
Vlad


On 25 Apr 2012, at 12:36, Judith Lindenau wrote:

> I am appreciative of your "Birth of Venus" analogy. Last weekend I was able 
> to participate in an excellent workshop with Dr. Robert Green on Baroque 
> music for the hurdy gurdy.  Above all, I was reminded of the meticulous 
> attention to detail which is requisite to playing music of the era--not only 
> the ornamentation and the other 'condiments', but also details of instrument 
> maintenance--cottoning, dog design and strings.
> 
> On Tue, Apr 24, 2012 at 1:13 PM, michael <[email protected]> wrote:
>  Following Doreen’s interest in baroque music I am looking afresh at the 
> French songs and dances from the operas arranged for two hurdy-gurdies. I 
> find they are not as simple as they appear at first sight. This presents an 
> interesting challenge, and one not to be shirked. French baroque music is not 
> played as it is written but uses an unique musical shorthand indicating many 
> forms of rhythmic and stylistic variation. These musical condiments, as we 
> may call them, are essential in performance and without them the music is 
> dull, and lacks both vigour and expression.
> 
>   The term baroque means ‘highly decorated’ and is applied to art and 
> architecture as well as music. The word is pronounced as it is written in 
> German: barock. As in Barock Obama.
> 
>    During the 18th century this repertoire was played in the many European 
> courts which followed French fashion: Germany, Russia, Italy,  Sweden…The 
> music is as highly mannered and intricate as are the dances it accompanies.
> 
>    On first looking at these short tunes some thought is required to bring 
> them to life and I find it a constant wonder how the latent patterns on a 
> page of music can be coaxed, through the medium of a musical instrument, into 
> the most lively dance music! It is as though a painting has come to life; as 
> though Venus herself has stepped from her shell onto the shore and dances on 
> the strand*.  
> 
> *Wikipedia: Birth of Venus
> 
>  
> 
> 
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> Judith Lindenau
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> Consulting and Personal Coaching
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