Don't forget that in May there's more, there on Folk College!

On Wed, Apr 25, 2012 at 11:44 AM, Dennis Sherman
<[email protected]>wrote:

> I'll second Judith's comments.  I had a really good time, learned some
> things, met some great people and reconnected with others I already knew.
> It was a very good weekend.
>
> --
> Dennis Sherman
> Chicago, IL, USA
> http://www.dennissherman.com
>
>
> *From:* Judith Lindenau <[email protected]>
> *To:* [email protected]
> *Sent:* Wed, April 25, 2012 7:14:14 AM
> *Subject:* Re: [HG-new] Baroque music performance
>
> The weekend was a good success!  Fourteen of us from Boston to North
> Dakota and points in between, excellent teachers in Tom, Juan, and Robert.
>  Mel Dories was on site as well, so the maintenance discussions were
> interesting and useful.  I particularly liked the helpful and supportive
> atmosphere--very encouraging and informative.  Lovely setting, as well.
>  Only drawback: nobody was ready to go home.  Thoughts are, I think, to
> extend it by a day or so next year.
>
> Wish you weren't quite so far away....
>
> judith
>
> On Wed, Apr 25, 2012 at 7:42 AM, Wolodymyr Smishkewych <
> [email protected]> wrote:
>
>> Sounds like someone was at Bloomington's first Midwest HG convention! :^)
>> How was it, Judith?
>> I've looked on fondly from far away, thanks to Tom Lozano's kind FYI's.
>> Vlad
>>
>>
>> On 25 Apr 2012, at 12:36, Judith Lindenau wrote:
>>
>> I am appreciative of your "Birth of Venus" analogy. Last weekend I was
>> able to participate in an excellent workshop with Dr. Robert Green on
>> Baroque music for the hurdy gurdy.  Above all, I was reminded of the
>> meticulous attention to detail which is requisite to playing music of the
>> era--not only the ornamentation and the other 'condiments', but also
>> details of instrument maintenance--cottoning, dog design and strings.
>>
>> On Tue, Apr 24, 2012 at 1:13 PM, michael <[email protected]>wrote:
>>
>>> ** **
>>>  * *Following Doreen’s interest in baroque music I am looking afresh at
>>> the French songs and dances from the operas arranged for two hurdy-gurdies.
>>> I find they are not as simple as they appear at first sight. This presents
>>> an interesting challenge, and one not to be shirked. French baroque music
>>> is not played as it is written but uses an unique musical shorthand
>>> indicating many forms of rhythmic and stylistic variation. These musical
>>> condiments, as we may call them, are essential in performance and without
>>> them the music is dull, and lacks both vigour and expression. **** *  The
>>> term baroque means ‘highly decorated’ and is applied to art and
>>> architecture as well as music. The word is pronounced as it is written in
>>> German: barock. As in Barock Obama. * *   During the 18th century this
>>> repertoire was played in the many European courts which followed French
>>> fashion: Germany, Russia, Italy,  Sweden…The music is as highly
>>> mannered and intricate as are the dances it accompanies.* *   On first
>>> looking at these short tunes some thought is required to bring them to life
>>> and I find it a constant wonder how the latent patterns on a page of music
>>> can be coaxed, through the medium of a musical instrument, into the most
>>> lively dance music! It is as though a painting has come to life; as though
>>> Venus herself has stepped from her shell onto the shore and dances on the
>>> strand*.   *
>>>
>>> *Wikipedia: Birth of Venus****
>>>
>>> ** **
>>>
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>>
>>
>>
>> --
>> Judith Lindenau
>> www.judithlindenau.com
>> Consulting and Personal Coaching
>> Management blog: http://www.realtown.com/Judith2/blog
>>
>>
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>
>
>
> --
> Judith Lindenau
> www.judithlindenau.com
> Consulting and Personal Coaching
> Management blog: http://www.realtown.com/Judith2/blog
>
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