Thanks, Judith, great to hear.

I remember being there for the planning meetings a few years back, so it is 
wonderful to see how things have grown into existence. Well, I do hope I can 
someday make it there for the festival. 

All best regards to everyone!
Vlad


On 25 Apr 2012, at 13:14, Judith Lindenau wrote:

> The weekend was a good success!  Fourteen of us from Boston to North Dakota 
> and points in between, excellent teachers in Tom, Juan, and Robert.  Mel 
> Dories was on site as well, so the maintenance discussions were interesting 
> and useful.  I particularly liked the helpful and supportive atmosphere--very 
> encouraging and informative.  Lovely setting, as well.  Only drawback: nobody 
> was ready to go home.  Thoughts are, I think, to extend it by a day or so 
> next year.
> 
> Wish you weren't quite so far away....
> 
> judith
> 
> On Wed, Apr 25, 2012 at 7:42 AM, Wolodymyr Smishkewych 
> <[email protected]> wrote:
> Sounds like someone was at Bloomington's first Midwest HG convention! :^)
> How was it, Judith?
> I've looked on fondly from far away, thanks to Tom Lozano's kind FYI's.
> Vlad
> 
> 
> On 25 Apr 2012, at 12:36, Judith Lindenau wrote:
> 
>> I am appreciative of your "Birth of Venus" analogy. Last weekend I was able 
>> to participate in an excellent workshop with Dr. Robert Green on Baroque 
>> music for the hurdy gurdy.  Above all, I was reminded of the meticulous 
>> attention to detail which is requisite to playing music of the era--not only 
>> the ornamentation and the other 'condiments', but also details of instrument 
>> maintenance--cottoning, dog design and strings.
>> 
>> On Tue, Apr 24, 2012 at 1:13 PM, michael <[email protected]> wrote:
>>  Following Doreen’s interest in baroque music I am looking afresh at the 
>> French songs and dances from the operas arranged for two hurdy-gurdies. I 
>> find they are not as simple as they appear at first sight. This presents an 
>> interesting challenge, and one not to be shirked. French baroque music is 
>> not played as it is written but uses an unique musical shorthand indicating 
>> many forms of rhythmic and stylistic variation. These musical condiments, as 
>> we may call them, are essential in performance and without them the music is 
>> dull, and lacks both vigour and expression.
>> 
>>   The term baroque means ‘highly decorated’ and is applied to art and 
>> architecture as well as music. The word is pronounced as it is written in 
>> German: barock. As in Barock Obama.
>> 
>>    During the 18th century this repertoire was played in the many European 
>> courts which followed French fashion: Germany, Russia, Italy,  Sweden…The 
>> music is as highly mannered and intricate as are the dances it accompanies.
>> 
>>    On first looking at these short tunes some thought is required to bring 
>> them to life and I find it a constant wonder how the latent patterns on a 
>> page of music can be coaxed, through the medium of a musical instrument, 
>> into the most lively dance music! It is as though a painting has come to 
>> life; as though Venus herself has stepped from her shell onto the shore and 
>> dances on the strand*.  
>> 
>> *Wikipedia: Birth of Venus
>> 
>>  
>> 
>> 
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>> -- 
>> Judith Lindenau
>> www.judithlindenau.com
>> Consulting and Personal Coaching
>> Management blog: http://www.realtown.com/Judith2/blog   
>> 
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