Students refuse to buy a single song from Napster
By Ashlee Vance in Chicago (ashlee.vance at theregister.co.uk)
Published Saturday 9th July 2005 13:32 GMT
http://www.theregister.co.uk/2005/07/09/napster_rochester_survey/print.html

Napster has put a new twist on the notion of being a loss leader. It has
actually managed to sell more songs for rival online music services than for
its own product, according to a survey conducted by a university customer.

Not a single University of Rochester student admitted to buying a song via
Napster during the Fall 2004 semester. Instead, eight per cent of the
students turned to the likes of iTunes and Musicmatch to buy songs they
enjoy. That's an ominous sign for a company spending millions to seed the
university market with music in the hopes of unseating Apple as the clear
leader in online music.

Most troubling for Napster, things don't appear to be improving on the music
purchase front. During the Spring 2004 semester, a whopping 1 per cent of
students did buy tracks off the Nap. Now no one does.

The situation worsens with Napster's small number of specialty "buy only"
songs not included with its standard service. Two per cent of students
purchased such tracks from Napster, while 39 per cent turned to rival
services to secure their songs.

The University of Rochester has boasted about being one of the Napsterized
schools that force music rental services on students in the hopes of curbing
P2P file-trading. In almost every case, Napster offers such schools a
massive discount off its $9.95 per month fee, making it easier for the
schools to stomach the cost of opening music shops. The schools also
typically receive hardware donations from unnamed sponsors.

Napster has spent tens of millions on a massive marketing campaign,
attacking the "$10,000" cost it takes to fill an iPod. (This is a
meaningless statistic when you consider that iPod owners are free to add
their existing CD collections and those of friends to their device at no
cost.) In addition, Napster has subsidized device makers, attempting to
create interest in the non-iPod music player market. This strategy left
Napster reporting a $24m fourth quarter loss
(http://www.theregister.co.uk/2005/05/12/napster_q4_2005/).

A host of companies, most notably Napster and Real, appear convinced that
consumers will buy into the concept of renting their music. This strategy
requires a massive cultural change in which people must accept restrictions
on when and how they can listen to music that is of lower quality than a CD.
If you pay a monthly fee forever, you receive all the music one could
desire. A decent idea until you realize that most people nurture their music
collections to reflect their tastes and don't want access to all the blather
ever created.

For the rental model to succeed, Napster and others would, er, have to turn
a profit at some point. The companies appear to believe that a critical mass
of consumers would deliver black ink.

But in today's reality, hardware makers - mostly Apple - are the ones making
serious cash off online music.

To Napster's credit, University of Rochester students do embrace the
streaming and tethered download aspects of the service. A healthy 47 per
cent of students added a song they liked to their streaming playlist, while
another 39 per cent acquired a tethered download. This helps explain why
students would be reluctant to purchase a song, since they have ready access
to the music at no additional charge.

Such positives fail to impress though as Apple nears 500m songs downloaded
from iTunes and generates almost as much revenue in one day off the iPod as
Napster makes in an entire quarter.

For Napster's college ventures to result in long-term success, it must
overwhelm the students with the quality of the service. And, in fact, the
vast majority of kids at Rochester find Napster's software very easy to use.
Even so, 56 per cent of the students use other services than Napster even
though they receive Napster "for free." In addition, many students
complained about Napster's Windows-only approach, its lack of selection and
its DRM policies - not to mention their continued fondness for P2P
applications.

Those schools that add the cost of Napster to students' fees are grumbling
about the service as well.

Middlebury College, for example, published a damaging expose in a school
paper after the institution decided to re-up its Napster trial.

"While Napster refuses to let schools discuss the program's cost with
students, The Campus has learned that the SGA (student government
association) allocated $10,000 this year for Napster and is predicting an
annual cost of $20,000 to continue the offering Napster next year," reported
(http://www.middleburycampus.com/media/paper446/news/2005/02/24/CenterSpread
/Music.Service.Draining.Student.Activities.Fee-874910.shtml) Ben Salkowe, in
the Middlebury Campus. "Although only 50 percent of the campus uses the
Napster service, all students pay for it through the SAF (student activities
fee), an annual $220 fee which all students are required to pay for funding
of student organizations.

"The actual cost of providing service for every student is believed to have
been just under $40,000, however an unidentified outside sponsor paid part
of the costs, and not all students took advantage of the service. None of
the students or administrators involved in the agreement would name the
sponsor - some of the program's extreme critics believe the Recording
Industry Association of America (RIAA) sponsors Napster college programs in
their first year to encourage well-known schools to join the program."

A disconcerting aspect about many of the Napster college deals is that the
schools are paying for the service now during trial periods and then saying
they will bill the students an undetermined amount should they buy in for
the long haul. Napster refuses to allow the schools to reveal how much they
pay for the service - even at publicly funded state schools - and could
theoretically raise the price well over these cut rate trials in the years
to come. This means Napster could be laying the groundwork for a very
expensive future - bad news for parents who must already spend up to
$160,000 for top four-year schools like Middlebury.

Schools such as Penn State have equated charging students for a music shop
with billing them for bus services and computer labs. Surely parents would
prefer to shell out for actual learning devices than to make sure their
children can receive a tethered download of the latest Britney Spears album?

Are parents pleased to see the record labels push these schools to open
music stories with threats of lawsuits hanging over the kiddos' heads? Are
they aware this is going on? Let us know
(mailto:[EMAIL PROTECTED]).

In the meantime, check out the Rochester survey (PDF) for yourself
(http://www.rochester.edu/napster/surveys/fall04.pdf). ®



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