While it is true, if you can follow a diagram you can probably do any
lace - I can speak from experience on diving right away into a nice
but more complex than I realized Flanders piece. I had made a sample
of Flanders ground so I knew what to do there. It was an oval edging,
and it was very pretty. I plunged in, hung bobbins according to the
diagram and slowly made the first pattern-repeat, then the next and
about halfway through the project realized I was married to the
diagram, I couldn't manage the motifs in the lace without it. The
thread paths weren't any more clear to me than when I started - I like
the freedom that comes with understanding how the lace is built. So,
I've been quite happy to learn Flanders from the ground up through the
Niven book, although with so much lace and so little time I only
manage to advance one lesson a year, if free time in the summer
allows.

Alice wrote:
So, if you can follow a diagram and have very good
general lace skills, you should be able to do Binche
without taking all those other classes first.

I often wondered, 2-3 centuries ago, did the people in
the area making Binche lace have to make other laces
first?  Or did they just learn what their mothers and
neighbors were making?

I wonder about that, too. The paradigm of the time was different than
now of course.
And I'm thinking it was probably quite easy for someone of the time to
make a lace without having drawn it first - by looking at someone else
making it. I think skills like that were more acute than we can
imagine in this day.

--
Bev in Sooke BC (on beautiful Vancouver Island, west coast of Canada)

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