In a message dated 4/10/2008 2:42:29 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

He  seemed to like the fact that men wore more lace than women at one  time. 


Yes, that is another popular factoid, as is the bit about making lace in  cow 
sheds and going blind. The blindness one, I find problematic since I don't  
think it is true that making lace made people go blind. I think that venereal  
disease made the lacemakers in port cities go blind. Maybe this could be  
packaged for popular consumption, too, though, since in our society  
sensationalism sells. You have to find the hook.
 
The other question that I got asked repeatedly, especially by the New York  
Times reporter was, "Do you make lace because your grandmothers made lace?" She 
 seemed to be interpretting our activities along the lines of historical  
re-enacting, or nostalgia. I think this is because she looked at the name of 
the  
organization, The International Old Lacers and couldn't shake the idea  that 
the "Old" was central to our raison d'etre. While, of course, I was trying  to 
sell us as people who were practicing, transforming and adapting  techniques 
from an old craft in exciting 20th/21st Century ways, which is  the way I see 
our organization.
 
Frankly, my grandmother would never have made lace. She went to college,  was 
a snazzy dresser, had household help, and wouldn't have been caught  dead 
doing any form of textile production. She actually paid people to make  quilts 
for her. My mother was busy knocking down martinis with the post war  New York 
literary crowd, since she worked for a magazine and later in  television, and 
her total inability to do anything of a domestic nature was part  of her charm. 
So, it was all I could do to stifle my laughter at this repeated  question. I 
like to think my interest in lace is because of its puzzle solving  quality, 
and relates more to my mother's ability to do the New York Times  Crossword 
puzzle weekly in ink. Mayra Petretti has coined the phrase that  lacemakers are 
the Mensa of the craft world and I think that is a good  statement, since 
lacemaking is very mentally challenging and creative, and not  something you do 
in 
order to simply emulate what your forbearers were doing. (My  other 
grandmother, a Bavarian immigrant, might have enjoyed lacemaking had  she had 
the 
chance, but as I understand it, she was too caught up in helping  produce beer 
in 
the bathtub, during prohibition to have much time on her hands.) 
 
Devon



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