Since the "why" of Midlands bobbins is lodged firmly in the realm of 
speculation, here are a few more thoughts that I don't see expressed on the 
list:  I don't think the spangles have anything at all to do with weight for 
tensioning.  Across the continent, you see many very fine laces made with 
relatively heavy bobbins (relative to, say, Honiton or even a Midlands with no 
spangles).  The lacemakers handled the situation just fine.  More to the point, 
is there any situation that you can think of where it is possible for the 
bobbin itself to tension the threads?  In my experience it is always necessary 
to use my hands.  Further, I can't think of a lace that I've made where the 
weight of the bobbin has caused the threads to break, or where the lightness of 
the bobbins has caused the threads to become untensioned.

The theory that I prefer is the evolutionary one: someone somewhere wanted to 
present a special bobbin, and so carved it.  And somehow the idea of adorning 
these everyday working tools was born and spread, leading to more and more 
elaborate carving, then the adding of a token or a bead at the bottom (and I've 
seen a continental or two thus adorned, which indicates the universal appeal of 
the idea).

So there's another speculative and unproveable theory for Midlands bobbins. 
Chose the one you like, and let that be your explanation.  As long as you don't 
say that lace is made by winding thread around pins, I'll like it.

Carolyn

Carolyn Hastings
Stow, MA USA 

> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
> Of [EMAIL PROTECTED]
> Sent: Sunday, September 28, 2008 2:00 AM
> To: Arachne
> Subject: [lace] Re: midlands bobbins and spangling
> 
> As for why Midlands bobbins are spangled, my theory has been it's
> because so many were made of bone.  

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