Nancy
I think you are right, that the only time a right and wrong side occurs in
straight laces is if there are tallies lying on top of a cloth stitch or half
stitch section.  I suppose it is possible to have a right and wrong side with
gimp, if the gimp is handled in such a way as to make it more prominent.  The
way to do that would be to pass the gimp through the weaver going in one
direction, but to just lay the weavers on top of the gimp, without stitching
the gimp, when going in the other direction.  In this case which is the right
side would be the side where the gimp lies on top of the weaver pair for part
of its journey.  But I am not aware of a straight lace where this is regularly
part of the work.  But I don't claim to know everything.

I have seen a part lace collar with a very raised gimp of this type, I thought
it might be related to Bruges.
http://lynxlace.com/bobbinlacerevivalerapart.html   Go about 2/3 down that
page to the collar #180.  Unfortunately my photo isn't close up enough to
demonstrate this clearly.  But I remember studying the piece as I photoed it.
That thick gimp, like packing twine, was prominent on the right side, but
scarcely visible on the wrong side.  And this effect was achieved in the
manner I described above.

It occurs to me that there might be another reason for a wrong side in
straight lace.  If you have gimp outlining parts of a floral design, the
motifs will end periodically and the gimps will be crossed underneath the
motif and cut off (to be restarted at the top of the next repeat).  You would
want those cut crossed gimps not to be too visible on the right side.
Therefore in this situation the side which faces you as you work would be the
wrong side, because that is where the crossed gimps are cut.  From the other
side the crossed cut gimps would not be so visible.  But it wouldn't matter
which side the foot is on.  It would be the crossed cut gimps.  The foot goes
with English or continental working methods and is not the important factor
here.

Lorelei Halley

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