Dear Lace and Lace Equipment Collectors:
 
Since there has just been a discussion about acetate (and possible  
dangers), you might like to hear about problems with celluloid.  This  
information 
came from the October 2011 newsletter of the Lost Art Lacers of  North 
Jersey (USA).  This local group has a collection of lace tools and  laces, 
which 
are shown to the public in various ways, but especially at their  annual 
Lace Days.  
 
The late founder of this group donated pieces that she  permanently mounted 
in displays of various kinds.  They have been in  this state of 
"preservation" for several decades.   Wahneta reported  in the newsletter that 
she 
brought some tatting shuttles and lace to show  at a meeting that were 
destroyed 
from being sealed in a display.
 
She reported that "celluloid is made from guncotton and camphor.   
Guncotton is made from cotton soaked in Nitric and Sulphuric Acids.  Never  
store 
celluloid in air-tight containers with other items.  Celluloid  will give off 
a gas that will cause oxidation to form."
 
*You will remember my (Jeri's) advice to check lace collections on a  date 
actually put on your calendar each year.  (My favorite  recommended date is 
Nov. 25th - St. Catherine's Day.)  It appears that  lace-making equipment 
and any lace items stored with  equipment also needs to be examined annually.  
Not just celluloid  tatting shuttles, but lace pillows, pincushions of all 
kinds, wood  and metal objects, etc.  You will be looking for  
deterioration, staining, holes, insects, mildew, discoloration, etc.   If your 
lace guild 
has a collection, please share this information with the  appropriate 
leader.*
 
 
At the Costume Society of America's program in June, I (Jeri) saw the  
damaging effects of cellulose buttons and decorative elements (like sequins and 
 
beads) on late 19th to early 20th century garments.  Deterioration cannot  
be reversed or halted, only delayed with proper storage and handling.  

    
>From a book reference:  "Caring for Your Collections", Arthur W.  Schultz - 
General Editor, Abrams (publisher), ISBN 0-8109-3174-5, page  107.  
"Cellulose nitrate was used to imitate ivory, bone, and  
tortoiseshell.....Cellulose nitrate is highly soluble in acetone and melts when 
 touched with a hot 
needle.  Real ivory, bone, and tortoiseshell are  not soluble, and they char 
(burn) but do not melt when touched with  high heat.....Celluloid artifacts 
should be stored in isolation to prevent  affecting nearby artifacts."
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center
----------------------------------------
 
Comments from Nancy in Connecticut USA:
 
Acetate is a derivative of acetic acid; acetate sheets are
probably  cellulose acetate.  Wikipedia says about cellulose acetate:
"Cellulose  acetate film was introduced in 1934 as a replacement for the
cellulose  nitrate film stock that had previously been standard. When 
exposed
to heat,  moisture or acids in the film base begin to deteriorate to an
unusable state,  releasing acetic acid with a characteristic vinegary  
smell."

Releasing acetic acid doesn't sound good for  textiles...

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