On Sun, 1 Feb 2004 00:18:56 +0100 Matthias Kilian <[EMAIL PROTECTED]> wrote:
> This will misplace the dotted g (stem-down) left of the chord
> (stem-up), with the dot running straight into the chord. Breitkopf &
> H�rtel put it right of the chord.
I have made some experiments (Busoni2.png).
\version "2.1.15"
\score {
\notes {
\time 1/4
\key d \minor
\clef bass
<< <cis a cis'>4 \\ {g8. bes16} >>
%% try to reverse (example 2)
<< {g8. bes16} \\ <cis a cis'>4 >>
}
\paper { raggedmargin = ##t }
}
I have tried to move the noteColumn
\once \property Voice.NoteColumn \set #'horizontal-shift = #4
but it seems to have no effect on this example.
#4 would be four note-line-spaces which is very much and should be visible.
Ferenc Wagner helped me to use noteColumn, thank you very much, Feri!
I have tried to add Voice context so that property Voice was present for
NoteColumn to work:
\context Staff = somestaff {
\context Voice = somename {
}
}
and
\once \property Voice.NoteColumn \set #'horizontal-shift = #1
but it does not change the output (Busoni2a.ly and Busoni2a.png).
If I do not use the \stemUp and \stemDown directives then
lilypond issues warnings and clashes notes even more.
I think the noteColumn thing should work, I don't know why it
does not work here.
I read the manual page for polyphony and there is a nice example
which I have elaborated a little, and it looks very nice
probably because the crossing does not contain octaves such
as the Busoni example does.
/Regards
--
donald_j_axel(at)get2net.dk -- http://d-axel.dk/
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