In the score there are both versions. The score "audience" are children; I
would like that they pay attention to the fact the music is similar but not
identical.

Have a look to the attached files (fragments from Greensleves for
accordion) and the source code. In the first fragment the bass music is
something like this:

  c4 \chordmode {f, f,}
  e \chordmode {e, e,}
  \partial 2 b \chordmode {e,}

and this is in the second

  c4 \chordmode {f, f,}
  e \chordmode {e:7, e:7,}
  b chordmode {e:7, e:7,}

g.



On 15 November 2016 at 09:32, Urs Liska <[email protected]> wrote:

> Am 15.11.2016 um 09:24 schrieb Gianmaria Lari:
> > Hello,
> >
> > I need an advice. Suppose you have two very similar fragments of musica,
> > maybe very few notes change or maybe just the fingering changes.
> >
> > How do you highlight the differences to avoid the player makes mistakes
> > playing it? Does exist a standard way to do it?
> >
>
> Do you want to have both versions in *one* score or are you talking
> about creating a score that has some differences to what the player
> would expect and want to highlight these spots?
>
> Urs
>
> > Thank you, g.
> >
> >
> > _______________________________________________
> > lilypond-user mailing list
> > [email protected]
> > https://lists.gnu.org/mailman/listinfo/lilypond-user
> >
>
>
> --
> Urs Liska
> www.openlilylib.org
>
> _______________________________________________
> lilypond-user mailing list
> [email protected]
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
_______________________________________________
lilypond-user mailing list
[email protected]
https://lists.gnu.org/mailman/listinfo/lilypond-user

Reply via email to