Gianmaria Lari <[email protected]> writes:
> In the score there are both versions. The score "audience" are children; I
> would like that they pay attention to the fact the music is similar but not
> identical.
>
> Have a look to the attached files (fragments from Greensleves for
> accordion) and the source code. In the first fragment the bass music is
> something like this:
>
> c4 \chordmode {f, f,}
> e \chordmode {e, e,}
> \partial 2 b \chordmode {e,}
>
> and this is in the second
>
> c4 \chordmode {f, f,}
> e \chordmode {e:7, e:7,}
> b chordmode {e:7, e:7,}
[graphics]
If that input corresponds to the printed output you gave, I want to see
the code producing the output.
At any rate, in current versions you can write
\chordmode {
<c>4 f f
<e> e:7 e:7
<b> e:7 e:7
}
Doesn't mix with \relative though. Not a problem for accordion I guess.
--
David Kastrup
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