Thomas,
That's a brilliant subversion of the \afterGrace command - I hadn't realised
you could use it for anything but notes!
I think I need a good course on lateral thinking.
I'd come up with this, which puts the treble clef at the beginning of the
repeated section - as I said earlier I don't
know what's best. We really need a music typography expert on this discussion
to come up with the "best" solution.
Incidentally, I tried to parenthesize the treble clef in bar 4, but it didn't
work. Any idea why?
\version "2.19.52"
\language "english"
\new Staff {
\override Score.BarNumber.break-visibility = ##(#t #t #t)
\time 4/4
\clef "treble" c''1
\clef "bass" c
\clef "treble" c''
\set Staff.forceClef = ##t
\once \override Score.BreakAlignment #'break-align-orders = #(make-vector 3
'(staff-bar clef ))
\repeat volta 2 {\clef "treble" c'' }
\alternative {
{ c'' \clef "bass" c }
{ \set Staff.forceClef = ##t
\once \override Score.BreakAlignment #'break-align-orders = #(make-vector
3 '(staff-bar clef ))
\clef "bass" c }
}
}
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-------------------------
Tuesday, February 20, 2018, 9:56:08 PM, Thomas Morley wrote:
How about:
\new Staff {
\override Score.BarNumber.break-visibility = ##(#t #t #t)
\time 4/4
\clef "treble" c''1
\clef "bass" c
\clef "treble" c''
\repeat volta 2 { c'' }
\alternative {
{
c''
\clef "bass"
\afterGrace
c
{
\once \override Staff.Clef.X-extent = #'(-0.5 . -0.5)
\clef "treble"
}
}
{
\once \override Score.BreakAlignment #'break-align-orders =
#(make-vector 3 '(staff-bar clef ))
\clef "bass" c
}
}
}
Cheers,
Harm
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