Mark, I see what you mean! That works fine. Thanks very much.
Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com ------------------------- Sunday, February 4, 2018, 7:35:21 PM, you wrote: Peter, As I said in my suggestion, using the same “\once” command for the treble clef achieves want you want. Try, \version "2.19.52" \language "english" \new Staff { \repeat volta 2 { c'' c'' \once \override Score.BreakAlignment #'break-align-orders = #(make-vector 3 '(staff-bar clef )) \clef "bass" c c } \once \override Score.BreakAlignment #'break-align-orders = #(make-vector 3 '(staff-bar clef )) \clef "treble" c''1 } Perhaps I am not the only one who must read more carefully. Mark From: Peter Toye [mailto:lilyp...@ptoye.com] Sent: Sunday, February 04, 2018 10:55 AM To: Mark Stephen Mrotek <carsonm...@ca.rr.com>; lilypond-user@gnu.org Subject: Re: Placement of clefs at repeat bars Mark, Thanks. You read my email correctly - the bass clef should be after the barline, not before. But your idea didn't change this. Should it have done so? Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com ------------------------- Sunday, February 4, 2018, 3:45:33 PM, you wrote: Peter, I regret that my suggestion did not solve all of your issues. My reading of your e-mail lead me to the awkward placement of the bass clef. That is the crux of my recommendation. The same command could be used to “accurately” place the subsequent treble clef. Mark Never let the perfect be the enemy of the good. Don’t look a gift horse in the mouth. From: Peter Toye [mailto:lilyp...@ptoye.com] Sent: Sunday, February 04, 2018 3:45 AM To: Mark Stephen Mrotek <carsonm...@ca.rr.com>; lilypond-user@gnu.org Subject: Re: Placement of clefs at repeat bars Mark, Your snippet raises two points: 1) There really should be a treble clef before the final repeat, to remind the performer to switch back. This is important when there's music before the repeated section as the performer may have forgotten which clef the repeat started in. In your simplified example there's already a clef sign as the beginning of the stave, but in most music that would be just luck. This is a similar bug to mine, but different! 2) Your example doesn't have any music after the repeated section, which is when the problem occurs. If I add some, I'm afraid your solution doesn't help. My example is: \version "2.19.52" \language "english" \new Staff { \repeat volta 2 { c'' c'' \once \override Score.BreakAlignment #'break-align-orders = #(make-vector 3 '(staff-bar clef )) \clef "bass" c c } \clef "treble" c''1 } Best regards Peter mailto:lilyp...@ptoye.com www.ptoye.com ------------------------- Saturday, February 3, 2018, 7:25:06 PM, you wrote: > Ptoye, > Does this work? > \repeat volta 2 { > c'' c'' > \once \override Score.BreakAlignment #'break-align-orders = #(make-vector > 3 '(staff-bar clef )) > \clef "bass" | c c > } > Mark > -----Original Message----- > From: lilypond-user > [mailto:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org] On Behalf Of > ptoye > Sent: Saturday, February 03, 2018 11:08 AM > To: lilypond-user@gnu.org > Subject: Re: Placement of clefs at repeat bars > I've found that this is was reported as an "ugly" in 2011. I think it's a > bug as the output is definitely incorrect. > The reverse happens with the snippet below, where the change of clef is > missing. > \version "2.19.52" > \language "english" > \score { > \new Staff { > \time 4/4 > \clef "treble" > c''2 c'' > \repeat volta 2 { > c'' c'' | \clef "bass" c c > } > c c > } > } > -- > Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user
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