Valentin Villenave <[email protected]> writes:
> On 2/7/19, 智樂喬 <[email protected]> wrote:
>> In reality, there would be multiple partBs and some of them would start
>> with a pickup and some of them wouldn't. One think I can do is explicitly
>> shorten the end of partA so that partB lines up, but it involves some
>> mixing of content and structure. Is there a best practice for this
>> situation?
>
> Greetings,
> not really (as far as I know).
> If you really want to keep your variables separate, you’ll have to use
> simultaneous music instead of sequential expressions :
>
> partA = { c'2 b | R1*3 }
> partB = { \partial 4 g4 | \bar "||" c'1 e }
> \score {
> <<
> {\oneVoice \partA}
> \\
> {\oneVoice s1*15/4 \partB}
> >>
> }
Don't abuse \\ like that. Rather use something like
\score {
<< \new Voice \partA
\new Voice { s1*15/4 \part B }
>>
}
But I guess that's weird (full-measure rest _and_ upbeat?). I'd rather
just have two versions of partA, one before an upbeat and one not.
--
David Kastrup
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