\version "2.19.82"
partA = { c'2 b | R1*3 }
partB = { \partial 4 g4 | \bar "||" c'1 }
\score { { \partA \partB } }
Yes, so partA is a full four bars, the last bar being a measure of rest.
partB starts after partA, but partB contains a pickup note, which should
actually be in the last beat of partA's rest. If you run the code above,
you should see that the G in partB gets its own one-beat measure instead of
what I explained.
On Thu, Feb 7, 2019 at 10:53 PM Gianmaria Lari <[email protected]>
wrote:
>
> On Thu, 7 Feb 2019 at 15:24, 智樂喬 <[email protected]> wrote:
>
>> I'm sure I'm not the first person to ask this, but I'm looking for a
>> clean, way to align music variables which begin with partial measures. For
>> example,
>>
>> \version "2.19.82"
>> partA = { c'2 b | R1*3 }
>> partB = { \partial 4 g4 | \bar "||" c'1 }
>> \score { { \partA \partB } }
>>
>> In reality, there would be multiple partBs and some of them would start
>> with a pickup and some of them wouldn't. One think I can do is explicitly
>> shorten the end of partA so that partB lines up, but it involves some
>> mixing of content and structure. Is there a best practice for this
>> situation?
>>
>
> I'm sorry, I don't understand what do you want to do. Could you try to
> explain again what you need?
> Thank you, g.
>
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