Marcur:

The original question was concerning the neck of the Lute and not the
bowl/body.  However it was not uncommon for Lutes to have been made with
Ivory bowls.  The interesting fact of this is that a few of the original
surviving Lutes probably survived mostly because they were made of Ivory.
Ivory probably did make for a decent sounding Lute, the tops were still made
of Cedar or Pine.

Vance Wood.
----- Original Message ----- 
From: "Marcus Merrin" <[EMAIL PROTECTED]>
To: "Vance Wood" <[EMAIL PROTECTED]>
Sent: Friday, November 07, 2003 7:17 PM
Subject: Re: Purpose of veneer.


> I recall seeing Anne Bolyn's lutes at Hever castle in England when the
> place (Hever, not Engand) was still owned by the Astors.  I seem to
> recall a couple of lutes whose backs were (or seemed to me) constructed
> entirely of ivory.  I would imagine that this would be a highly
> unsuitable material and that these were for show rather than for her
> actual use, though I believe she was a player.  I don't know what became
> of that collection of instruments, as I don't think they were sold with
> the castle.
>
> Marcus
>
> Vance Wood wrote:
>
> >Herbert:
> >
> >Ebony is very hard, beautiful and not prone to cracking, checking or
> >splitting.  Most Lutes are made from lighter woods such as Pine,
Sycamore,
> >and Aspen which are lighter woods, they are then over laid or veneered
with
> >fancy woods  as a visual element.  If the Lute's neck were made of solid
> >Ebony it would be very heavy, as would any assortment of other hard woods
> >such as Mahogany, Cherry, Maple and etc..  In short it is done this way
> >mostly because of the weight.  Then of course there are the visual
aspects
> >of figured hard woods such as tiger tailing, pillowing, birds eye, and
curly
> >figures.
> >
> >These elements are beautiful on an instrument but they are notoriously
lousy
> >as structural elements because of the erratic nature of their crazy
graining
> >patterns.  There are also Lutes that have striped necks that match the
> >pattern started by the ribs. There are Lutes that were inlayed with
Ivory,
> >in ornate patterns.  All of these are veneered and inlayed over a lighter
> >and softer core.  Unless you are dealing with early Guitars most of them
are
> >made from solid hard wood, one of the reasons a guitar is so much heavier
> >than a Lute.
> >
> >Vance Wood.
> >
> >
> >----- Original Message ----- 
> >From: "Herbert Ward" <[EMAIL PROTECTED]>
> >To: <[EMAIL PROTECTED]>
> >Sent: Friday, November 07, 2003 12:51 PM
> >Subject: Purpose of veneer.
> >
> >
> >
> >
> >>The invoice for my lute says
> >>
> >>   "... ebony-veneered neck ..."
> >>
> >>The neck looks and feels good.
> >>
> >>But (bearing my ignorance in mind) is there other purpose to this
> >>veneering?
> >>
> >>I know that, in construction plywood, the grain in any ply (layer) is
> >>perpendicular to that in adjacent plies, for strength, and I was
wondering
> >>if the veneer on the neck serves a similar purpose.
> >>
> >>
> >>
> >>
> >
> >
> >
> >
> >
>
> -- 
> ////////////////////////////////////////////////////////////
> // Marcus Merrin PhD.
> // EmptyAir Consulting
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>


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