A couple technical advantages of the re-entrant strings are to allow easy
formation of close voicings and cross-string trills and scales, which project
very nicely.

-----Original Message-----
From: bill kilpatrick [mailto:[EMAIL PROTECTED]
Sent: Friday, October 13, 2006 9:01 AM
To: [EMAIL PROTECTED]; Lute List
Subject: [LUTE] Re: Why re-entrant tuning?


i've tried several variations on the charango's
gg-cc-eE-aa-ee re-entrant tuning - all but one of
which (gg-cc-eE-aa-dd) produced something less than
the original.

my own take on re-entrant tuning is:

- for tuning in 4ths it produces the best sound
available for an instrument with a short vibrating
string length (charango's is circa 36cm) - ukulele as
well.

- as lex eisenhard mentions, it's primary use is to
provide instrumental accompaniment to
singing/strolling players in the open air - with
rasgueo mostly but delightful and effective for melody
in certain keys.  you can pursue the high reaches of
the melody without climbing up the neck - where all
notes make pretty much the same "plinky-plink" type
sound.

- small, portable instruments with disproportionately
larger, re-entrant musicality made them ideal for
music loving travelers to the new world.

olè - bill

--- Craig Allen <[EMAIL PROTECTED]> wrote:

> Dear Collective Wisdom,
>
> The subject says it all. Re-entrant tuning is used
> on the theorbo and if I recall the gittern. But why?
> I have not played an instrument tuned this way so
> don't have any practical experience with the sound
> or feel. Why are these (and presumabley other)
> instruments tuned this way?
>
> Regards,
> Craig
>
>
>
>
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