On Sep 25, 2007, at 2:19 PM, Peter Martin wrote:

> For more on lutes and bagpipes, see Samuel Pepys' diary for 28 July  
> 1666.
>
> "But strange to hear my Lord Lauderdale say himself that he had  
> rather hear
> a cat mew, than the best musique in the world; and the better the  
> musique,
> the more sicke it makes him; and that of all instruments, he hates  
> the lute
> most, and next to that, the baggpipe."

That's because Lauderdale never heard PDQ Bach's magnificent Sinfonia  
Concertante for bagpipes, left-handed sewer flute, lute, double-reed  
slide music stand, balalaika, and ocarina (there was no duet for  
bagpipe and lute).

BTW, since we're dealing with Important Historical Stuff, here once  
again is what Peter Schickele actually said his introduction to the  
1965 live-performance recording.  It's the most famous thing said  
about the lute in the last two centuries, and it comes up every few  
years on this list, so accuracy is important:

"The interesting thing about this lineup of instruments is the  
problem of
balance.  When the bagpipe is playing you can't hear anything else,  
whereas
the lute is such a soft instrument that if there is simply another  
instrument
in the room with it you can't hear it, whether it's being played or  
not.  So
the problems of combining these into one work are tremendous, as you can
imagine, and they are problems which PDQ Bach found no solution for
whatsoever.  But the lute looks nice, and I think that in this day of
recording, that's one thing we've forgotten: the visual aspect of a  
concert.
It's a very nice lute.  We hope you enjoy it.  Think of it while you're
listening to the bagpipes."

On the recording, Stan Beutens did indeed play the lute, which is  
actually quite audible. 
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