Hoi Jelma

Dank je wel! Great, yet another father to Nina. I'll be playing it in May in Japan on my Fabricatore, so this might be the most contemporary version for that instrument. The reason it's on the programme is that there is a Japanese edition of the piece, and I'll be doing a programme with a Japanese singer with Japanese and Western music. Very intercultural, but basically a good excuse to eat exclusively Japanese food for two weeks, of course. ;-)

nogmaals bedankt!

David


----- Original Message ----- From: "Jelma van Amersfoort" <[EMAIL PROTECTED]>
To: "LGS-Europe" <[EMAIL PROTECTED]>; <[email protected]>
Sent: Monday, March 24, 2008 10:17 PM
Subject: Re: [LUTE] Nina bass line


Hi David

I found the guitar version I mentioned earlier. It is by Giacomo
Merchi, for 5 course / 5 string transitional guitar, published as a
facsimile by SPES in their 'Giacomo Merchi Opere Scelte', in booklet
opus 4 (Raccolta D'Ariette). I'm sure it is in the NMI in Den Haag. It
must be from the end of the 18th century, probably before 1777 when
his opus 25 appears to have been published.

It is a fantastic version for two violins, basso continuo, guitar tab
and guitar staff... The bowed strings at the beginning and end only.
We performed it in one of my romantic guitar workshops in 2006, with a
bunch of different early guitars and voice. Great piece. I you can't
find it easily, I have it here.

Hartelijke groeten, Jelma van Amersfoort



On Sat, Mar 22, 2008 at 10:02 PM, LGS-Europe <[EMAIL PROTECTED]> wrote:
I have to reverse engineer a 'proper' bass line to Nina (canzonetta), long wrongly attributed to Pergolesi but actually by Legrenzi Ciampi (1719-?). All I have is the well-known Arie Antique version, but I am hpoing there is a continuo bass to the original. I know the Arie Antique have a new edition
 with more hip accompaniments, but I don't have that. Is the collective
 wisdom able to help me?

 David


 ****************************
 David van Ooijen
 [EMAIL PROTECTED]
 www.davidvanooijen.nl
 ****************************




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