Didn't want to press you over the brink ;-)) I am always very uneasy about using the word Modern; it is a term that by its nature is destined to be "out of date" very quickly.
Thank (fill in you own imagined deity) we live in a post-modern world... -----Ursprüngliche Nachricht----- Von: Jerzy Zak [mailto:[email protected]] Gesendet: Montag, 2. Februar 2009 01:03 An: lute list Betreff: [LUTE] Re: French trill? I know of the book but don't have it yet. But I know Taruskin also from a second hand relations. So I must tell, I don't feel as a victime of any crisis without access to medicine. Do you think I should apply myself the same mental disease? Obviously 25 years ago, when I was reading with flushes on my face all available (and unavailable) sources, listening to the stars of EM, giving interviews with myself (oh, yes)... I thought the early music movement will last for ever ;-)) Now I've happily forgotten 3/4 of those books and the feeling of a mission. Music will always be fresh and modern, whatever you could say about a particular style or a piece. One thing is well to remember -- we are permanently reproducing the past, either conciously or unconciously, including the music (not only since 1950s or 60s), just reproducing in different clothes. And in music, as in arts, the dress is the thing. So I wear my music as I like or am able... But I know ''the sources'', only my mics are not that good ;-)) J ________ On 2009-02-02, at 00:10, Mark Wheeler wrote: > You should check out Bruce Haynes book "The end of early music", it > is a > great antidote to the recent crisis that the HIP movement received > from > Taruskin's writings. > > You can read a few pages here.... > > http://www.amazon.co.uk/End-Early-Music-Performers-Twenty-first/dp/ > 019518987 > 6/ref=sr_1_1?ie=UTF8&s=books&qid=1233529394&sr=8-1 > > Mark > > -----Ursprüngliche Nachricht----- > Von: Jerzy Zak [mailto:[email protected]] > Gesendet: Sonntag, 1. Februar 2009 23:30 > An: lute > Betreff: [LUTE] Re: French trill? > > Of course, the paradox concernes us, creators and consumers of music > and our vision of the modern phenomenon called ''historical music''. > It is a fancy interplay between science and art, it's a modern thing > in music history -- isn't it?, and in a way quite logically it's > ''modern music'' as well, however strange it may sound to all. > > J > _______ > > On 2009-02-01, at 20:12, Jean-Marie Poirier wrote: >> I agree, Jerzy, but isn't it rather the paradox(es) of so called >> "historical musicians" ...??? >> Jean-Marie ;-) >> ======= 01-02-2009 19:38:37 ======= >> >>> These are paradoxes of the so called historical music. >>> J To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
