--- Mark Wheeler <[email protected]> wrote:
> 
> Thank (fill in you own imagined deity) we live in a
> post-modern world...
> 

Oh yeah?  You obviously haven't spent time in any
conservatory composition department lately...  ;-)

Chris



> -----Ursprüngliche Nachricht-----
> Von: Jerzy Zak [mailto:[email protected]] 
> Gesendet: Montag, 2. Februar 2009 01:03
> An: lute list
> Betreff: [LUTE] Re: French trill?
> 
> I know of the book but don't have it yet. But I know
> Taruskin also  
> from a second hand relations. So I must tell, I
> don't feel as a  
> victime of any crisis without access to medicine. Do
> you think I  
> should apply myself the same mental disease?
> 
> Obviously 25 years ago, when I was reading with
> flushes on my face  
> all available (and unavailable) sources, listening
> to the stars of  
> EM, giving interviews with myself (oh, yes)... I
> thought the early  
> music movement will last for ever ;-)) Now I've
> happily forgotten 3/4  
> of those books and the feeling of a mission. Music
> will always be  
> fresh and modern, whatever you could say about a
> particular style or  
> a piece. One thing is well to remember -- we are
> permanently  
> reproducing the past, either conciously or
> unconciously, including  
> the music (not only since 1950s or 60s), just
> reproducing in  
> different clothes. And in music, as in arts, the
> dress is the thing.  
> So I wear my music as I like or am able...
> 
> But I know ''the sources'', only my mics are not
> that good ;-))
> J
> ________
> 
> On 2009-02-02, at 00:10, Mark Wheeler wrote:
> 
> > You should check out Bruce Haynes book "The end of
> early music", it  
> > is a
> > great antidote to the recent crisis that the HIP
> movement received  
> > from
> > Taruskin's writings.
> >
> > You can read a few pages here....
> >
> >
>
http://www.amazon.co.uk/End-Early-Music-Performers-Twenty-first/dp/
> 
> > 019518987
> > 6/ref=sr_1_1?ie=UTF8&s=books&qid=1233529394&sr=8-1
> >
> > Mark
> >
> > -----Ursprüngliche Nachricht-----
> > Von: Jerzy Zak [mailto:[email protected]]
> > Gesendet: Sonntag, 1. Februar 2009 23:30
> > An: lute
> > Betreff: [LUTE] Re: French trill?
> >
> > Of course, the paradox concernes us, creators and
> consumers of music
> > and our vision of the modern phenomenon called
> ''historical music''.
> > It is a fancy interplay between science and art,
> it's a modern thing
> > in music history -- isn't it?, and in a way quite
> logically it's
> > ''modern music'' as well, however strange it may
> sound to all.
> >
> > J
> > _______
> >
> > On 2009-02-01, at 20:12, Jean-Marie Poirier wrote:
> >> I agree, Jerzy, but isn't it rather the
> paradox(es) of so called
> >> "historical musicians" ...???
> >> Jean-Marie   ;-)
> >> ======= 01-02-2009 19:38:37 =======
> >>
> >>> These are paradoxes of the so called historical
> music.
> >>> J
> 
> 
> 
> 
> 
> 
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> 
> 
> 



      


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