Briefy, our live audio version found on Rob Mackillop's Dowland page:
   http://www.mignarda.com/mackillop/cansheexcuse.mp3
   Best,
   Ron Andrico
   www.mignarda.com
   > Date: Fri, 24 Jul 2009 15:20:51 -0700
   > To: [email protected]
   > From: [email protected]
   > Subject: [LUTE] Re: The Galliard
   >
   > I recorded this at minim=140 with tenor Jeffrey Thomas, in retrospect
   > it might have been a bit fast. He could really declaim the text
   perfectly.
   > Above 120 and you can easily do the whole last section in one breath.
   >
   > Here's another version, I think it is a reasonable tempo, about the
   > same as Valeria and Alfonso I think.
   >
   > http://www.vimeo.com/5735296
   >
   > One thing about learning it really fast, is that you reach a point
   > and say, this is garbage. Then you slow it down a bit.
   > I think if you look at all the performances of this piece, you will
   > see every tempo imaginable, not just a slow and a fast version.
   > dt
   >
   >
   > At 10:18 AM 7/24/2009, you wrote:
   > >Dear Dan,
   > >
   > >A fundamentally important question, and I hope many people will give
   > >their thoughts. I certainly wouldn't want to go much faster than
   minim =
   > >120, but there are details which trouble me about the piece. In the
   > >setting for five viols/violins with lute, the lute has a couple of
   > >semiquavers in the first bar of the second section. In the consort
   > >version printed by Thomas Morley, there are eight semiquavers
   (halved to
   > >demi-semiquavers in Sydney Beck's edition) half way through the
   second
   > >section. I don't think these could be played (each note plucked
   > >separately, not slurred) at minim = 120. A speed of minim = 110
   would be
   > >pushing it. If I had to choose a speed for those notes to be cleanly
   > >played, I would want something more in the region of minim = 100,
   but no
   > >slower. It's at that kind of speed where the count of 1 and, 2 and,
   3
   > >and, comes into its own to hold you back in the first bar.
   > >
   > >The Earl of Essex Galliard has the words "Can she excuse". If you
   think
   > >Essex is angry, you might want a speed as fast as you can go. If you
   > >think he is being more reflective about what could have been, a
   slower
   > >speed might be more suitable.
   > >
   > >I notice that the Julian Bream consort plays the consort version
   > >followed by the song at about minim = 114, and he fudges the eight
   > >semiquavers.
   > >
   > >http://www.youtube.com/watch?v=nZXfHhLebVE
   > >
   > >Also available on YouTube is a performance of the song by Valeria
   > >Mignaco and Alfonso Marin.
   > >
   > >http://www.youtube.com/watch?v=_fMk6YW6Xhk&feature=related
   > >
   > >Their speed is about minim = 126, although they slow down here and
   there
   > >to avoid it being relentless. It is an exciting speed, but not
   feasible
   > >for the consort version.
   > >
   > >The group Musica Ficta de Buenos Aires go a little faster than minim
   =
   > >126. It is a bit of a scramble, and they slow down at the end.
   > >
   >
   >http://www.youtube.com/watch?v=YKgkY85pMF0&feature=PlayList&p=29ABA0FC
   09
   > >CDAA5D&index=0&playnext=1
   > >
   > >I think their speed is too fast.
   > >
   > >I wonder if singers and their accompanists agree on a fast tempo,
   partly
   > >because the music is simple in enough to take it. Lutenists
   struggling
   > >with the consort setting will be looking for slower speeds, because
   > >otherwise they won't be able to play all the fast notes.
   > >
   > >Best wishes,
   > >
   > >Stewart McCoy.
   > >
   > >
   > >
   > >
   > >-----Original Message-----
   > >From: [email protected] [mailto:[email protected]]
   On
   > >Behalf Of Daniel Winheld
   > >Sent: 24 July 2009 15:03
   > >To: [email protected]
   > >Subject: [LUTE] Re: The Galliard
   > >
   > >Could someone suggest a likely metronome tempo?
   > >
   > >
   > > >It's possible.
   > > >dt
   > > >
   > > > This idea of there being two galliard types I heard re-iterated
   > >some
   > > > years later by Layton Ring on one of the Lute Society courses at
   > > > Cheltenham. He demonstrated how it would be impossible to play
   The
   > >Earl
   > > > of Essex Galliard at the speed of someone dancing the fast
   > >galliard.
   > > >
   > >
   > >--
   > >
   > >
   > >
   > >To get on or off this list see list information at
   > >http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   >
     __________________________________________________________________

   Windows Live Hotmail(R): Celebrate the moment with your favorite sports
   pics. [1]Check it out. --

References

   1. 
http://www.windowslive.com/Online/Hotmail/Campaign/QuickAdd?ocid=TXT_TAGLM_WL_QA_HM_sports_photos_072009&cat=sports

Reply via email to