>  "sounds like something by Sting"

How on earth can Ed sound like Sting, since he sings not a single 
note on any of his recordings?- And I believe it is Edin Karamazov 
doing the lute playing on the Sting album; a different "Ed" 
altogether. By the way, Milan himself wrote that the Pavans, at any 
rate, can be repeated- even three times if one wishes.  But it's a 
little late in the day for you to be correcting Senor Milan on this 
point, more correctly informed though you may be than Maestro Milan 
on 16th century Spanish performance practices.

It does sound like an almost, but not quite veiled, personal attack 
as opposed to constructive criticism of Ed Martin; and from one who 
is so obviously inferior to him in experience, education, performing 
practice, teaching, etc. most inappropriate indeed. One has sometimes 
heard this style of criticism in master classes from established 
musical icons, such as Segovia, Pavarotti, etc. and even in that 
context it is often ugly. Ed's playing- specifically of the Milan- 
has earned extremely high praise from some masters who you would be 
very wise, and very fortunate, to study with.

One point of partial agreement- many of us, and I mean ALL of us, in 
the plucked string world of fast decay (including our harpsichord 
colleagues) are frequently guilty of over-arpeggiating some of our 
chords. Takes a lot of attention, sometimes, to keep that tendency 
under control.



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