And you are right! For me it is unbearable.
   --- En date de : Mar 8.12.09, Eugene C. Braig IV <brai...@osu.edu> a
   ecrit :

     De: Eugene C. Braig IV <brai...@osu.edu>
     Objet: [LUTE] Re: Narciso Yepes and the lute
     A: "'lute-cs.dartmouth.edu'" <lute@cs.dartmouth.edu>
     Date: Mardi 8 Decembre 2009, 22h44

   Personally, in spite of being the source of that last e-mail, I am also
   a
   great fan of much of Yepes' work.  I loved the way he recorded the
   Boccherini quintets, e.g.  I also tend to like Yepes' guitar recordings
   better than Segovia's.  After reading that review of his Bach
   recordings on
   14-course lute, I am glad to have NOT heard them.  I'd rather continue
   as a
   fan of Yepes' old recordings.
   Best,
   Eugene
   > -----Original Message-----
   > From: [1]lute-...@cs.dartmouth.edu
   [mailto:[2]lute-...@cs.dartmouth.edu] On
   > Behalf Of Luca Manassero
   > Sent: Tuesday, December 08, 2009 5:05 PM
   > To: 'lute-cs.dartmouth.edu'
   > Subject: [LUTE] Re: Narciso Yepes and the lute
   >
   > Many years ago (it must have been in 1983, I guess) I met Narciso
   Yepes
   > in Torino, Italy at the end of one of his concerts at the
   Conservatorio.
   > It was my first one and I was a great "fan" of him.
   > At that time I didn't know of his lute recording, but I had listen to
   > his complete Bach lute works recording on the 10 strings guitar at
   least
   > 100 times. So I told him and I expressed my enthusiasm for it and he
   got
   > back to me (I was 17 years old...) with a great smile and said:
   "throw
   > it away, It's not good at all."
   >
   > I had the pleasure to study (10 strings guitar, at that time) for a
   few
   > years with one of his Italian students and met Narciso Yepes a few
   times
   > more: he never meant too much of that recording, as far as I can
   remember.
   > But he was a true pioneer and really meant his 10 strings guitar as a
   > way to stop "cutting away" while translating the so-called Back lute
   > works for a 6 strings guitar. I still own those LP's and still
   believe
   > that his interpretation was by far much more "musical" than what
   Segovia
   > did in many cases. His recording of the Telemann (?)  4 Partitas
   > together with Godelieve Monden is not bad at all, and (as far as I
   know)
   > there's no similar recording on Baroque lutes.
   >
   > Luca
   >
   >
   > Eugene C. Braig IV on 8-12-2009 19:36 wrote:
   > > Segovia certainly didn't play Bach on any incarnation of
   lute...unless
   > you
   > > count modern guitars built to a Spanish paradigm as lutes.  Walter
   > Gerwig
   > > certainly deserves some recognition for an early lute-driven effort
   at
   > Bach.
   > >
   > > For what it's worth, the Yepes article in Wikipedia offers "[Yepes]
   was
   > also
   > > the first person to record the complete lute works of Bach on
   period
   > > instruments (14-course baroque lute)."
   > >
   > > That same Wikipedia also offers this review: "[other guitarist's]
   > exciting
   > > and perceptive performances of the lute works, which were recorded
   > between
   > > 1981 and 1984, are light years better than the stilted, drab, and
   often
   > > utterly stillborn interpretations of Narciso Yepes, who does not
   sound
   > by
   > > any means comfortable playing the lute (American record guide,
   1984)."
   > >
   > > Best,
   > > Eugene
   > >
   > >
   > >
   > >> -----Original Message-----
   > >> From: [3]lute-...@cs.dartmouth.edu
   [mailto:[4]lute-...@cs.dartmouth.edu] On
   > >> Behalf Of [5]dem...@suffolk.lib.ny.us
   > >> Sent: Tuesday, December 08, 2009 1:20 PM
   > >> To: lute-cs.dartmouth.edu
   > >> Subject: [LUTE] Re: Narciso Yepes and the lute
   > >>
   > >>
   > >>>    Yes, I don't expect it to be up to much, but he did at least
   give
   > it a
   > >>>
   > >>>    go when no-one else would. Deserves recognition, I think.
   > >>>
   > >> Yes, but in context.  Pretty sure Segovia precedes him, my LPS are
   at
   > home
   > >> (I write this at the library); I have some Yepes and some Segovia
   LP's
   > >> acquired in the early 60's, with a broad span of repetoire,
   including
   > some
   > >> vihuella and lute material - L da Milan and Bach for certain.
   > >>
   > >> Nigel North was another pioneer, I have at least one LP of his on
   > theorbo
   > >> from then as well.
   > >> --
   > >> Dana Emery
   > >>
   > >>
   >
   >
   >
   > To get on or off this list see list information at
   > [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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